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Hamlet

Hamlet

William Shakespeare (1599–1601)

  • The Ghost
  • Hamlet Prince of Denmark, son of the late King Hamletand Queen Gertrude
  • Queen Gertrude widow of King Hamlet, now married to Claudius
  • King Claudius brother to the late King Hamlet
  • Ophelia
  • Laertes her brother
  • Polonius father of Ophelia and Laertes, councillor to King Claudius
  • Reynaldo servant to Polonius
  • Horatio Hamlet’s friend and confidant
  • courtiers at the Danish court

  • Voltemand
  • Cornelius
  • Rosencrantz
  • Guildenstern
  • Osric
  • Gentlemen
  • A Lord
  • Danish soldiers

  • Francisco
  • Barnardo
  • Marcellus
  • Fortinbras Prince of Norway
  • A Captain in Fortinbras’s army
  • Ambassadors to Denmark from England
  • Players who take the roles of Prologue, Player King, Player Queen, and Lucianus in The Murder of Gonzago
  • Two Messengers
  • Sailors
  • Gravedigger
  • Gravedigger’s companion
  • Doctor of Divinity
  • Attendants, Lords, Guards, Musicians, Laertes’s Followers, Soldiers, Officers

ACT 1

Scene 1

Enter Barnardo and Francisco , two sentinels .
BARNARDO

Who’s there ?

FRANCISCO
Nay , answer me . Stand and unfold yourself .
BARNARDO

Long live the King !

FRANCISCO

Barnardo .

BARNARDO

He .

FRANCISCO
You come most carefully upon your hour .
BARNARDO
’Tis now struck twelve . Get thee to bed , Francisco .
FRANCISCO
For this relief much thanks . ’Tis bitter cold ,
And I am sick at heart .
BARNARDO

Have you had quiet guard ?

FRANCISCO

Not a mouse stirring .

BARNARDO
Well , good night .
If you do meet Horatio and Marcellus ,
The rivals of my watch , bid them make haste .
Enter Horatio and Marcellus .
FRANCISCO
I think I hear them . — Stand ho ! Who is there ?
HORATIO
Friends to this ground .
MARCELLUS
And liegemen to the Dane .
FRANCISCO
Give you good night .
MARCELLUS
O farewell , honest soldier . Who hath relieved you ?
FRANCISCO
Barnardo hath my place . Give you good night .
Francisco exits .
MARCELLUS
Holla , Barnardo .
BARNARDO
Say , what , is Horatio there ?
HORATIO
A piece of him .
BARNARDO
Welcome , Horatio . — Welcome , good Marcellus .
HORATIO
What , has this thing appeared again tonight ?
BARNARDO
I have seen nothing .
MARCELLUS
Horatio says ’tis but our fantasy
And will not let belief take hold of him
Touching this dreaded sight twice seen of us .
Therefore I have entreated him along
With us to watch the minutes of this night ,
That , if again this apparition come ,
He may approve our eyes and speak to it .
HORATIO
Tush , tush , ’twill not appear .
BARNARDO
Sit down awhile ,
And let us once again assail your ears ,
That are so fortified against our story ,
What we have two nights seen .
HORATIO
Well , sit we down ,
And let us hear Barnardo speak of this .
BARNARDO
Last night of all ,
When yond same star that’s westward from the pole
Had made his course t’ illume that part of heaven
Where now it burns , Marcellus and myself ,
The bell then beating one —
Enter Ghost .
MARCELLUS
Peace , break thee off ! Look where it comes again .
BARNARDO
In the same figure like the King that’s dead .
MARCELLUS
, to Horatio
Thou art a scholar . Speak to it , Horatio .
BARNARDO
Looks he not like the King ? Mark it , Horatio .
HORATIO
Most like . It harrows me with fear and wonder .
BARNARDO
It would be spoke to .
MARCELLUS
Speak to it , Horatio .
HORATIO
What art thou that usurp’st this time of night ,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march ? By heaven , I charge thee , speak .
MARCELLUS
It is offended .
BARNARDO
See , it stalks away .
HORATIO
Stay ! speak ! speak ! I charge thee , speak !
Ghost exits .
MARCELLUS
’Tis gone and will not answer .
BARNARDO
How now , Horatio , you tremble and look pale .
Is not this something more than fantasy ?
What think you on ’t ?
HORATIO
Before my God , I might not this believe
Without the sensible and true avouch
Of mine own eyes .
MARCELLUS
Is it not like the King ?
HORATIO
As thou art to thyself .
Such was the very armor he had on
When he the ambitious Norway combated .
So frowned he once when , in an angry parle ,
He smote the sledded Polacks on the ice .
’Tis strange .
MARCELLUS
Thus twice before , and jump at this dead hour ,
With martial stalk hath he gone by our watch .
HORATIO
In what particular thought to work I know not ,
But in the gross and scope of mine opinion
This bodes some strange eruption to our state .
MARCELLUS
Good now , sit down , and tell me , he that knows ,
Why this same strict and most observant watch
So nightly toils the subject of the land ,
And why such daily cast of brazen cannon
And foreign mart for implements of war ,
Why such impress of shipwrights , whose sore task
Does not divide the Sunday from the week .
What might be toward that this sweaty haste
Doth make the night joint laborer with the day ?
Who is ’t that can inform me ?
HORATIO
That can I .
At least the whisper goes so : our last king ,
Whose image even but now appeared to us ,
Was , as you know , by Fortinbras of Norway ,
Thereto pricked on by a most emulate pride ,
Dared to the combat ; in which our valiant Hamlet
( For so this side of our known world esteemed him )
Did slay this Fortinbras , who by a sealed compact ,
Well ratified by law and heraldry ,
Did forfeit , with his life , all those his lands
Which he stood seized of , to the conqueror .
Against the which a moiety competent
Was gagèd by our king , which had returned
To the inheritance of Fortinbras
Had he been vanquisher , as , by the same comart
And carriage of the article designed ,
His fell to Hamlet . Now , sir , young Fortinbras ,
Of unimprovèd mettle hot and full ,
Hath in the skirts of Norway here and there
Sharked up a list of lawless resolutes
For food and diet to some enterprise
That hath a stomach in ’t ; which is no other
( As it doth well appear unto our state )
But to recover of us , by strong hand
And terms compulsatory , those foresaid lands
So by his father lost . And this , I take it ,
Is the main motive of our preparations ,
The source of this our watch , and the chief head
Of this posthaste and rummage in the land .
BARNARDO
I think it be no other but e’en so .
Well may it sort that this portentous figure
Comes armèd through our watch so like the king
That was and is the question of these wars .
HORATIO
A mote it is to trouble the mind’s eye .
In the most high and palmy state of Rome ,
A little ere the mightiest Julius fell ,
The graves stood tenantless , and the sheeted dead
Did squeak and gibber in the Roman streets ;
As stars with trains of fire and dews of blood ,
Disasters in the sun ; and the moist star ,
Upon whose influence Neptune’s empire stands ,
Was sick almost to doomsday with eclipse .
And even the like precurse of feared events ,
As harbingers preceding still the fates
And prologue to the omen coming on ,
Have heaven and Earth together demonstrated
Unto our climatures and countrymen .
Enter Ghost .
But soft , behold ! Lo , where it comes again !
I’ll cross it though it blast me . — Stay , illusion !
It spreads his arms .
If thou hast any sound or use of voice ,
Speak to me .
If there be any good thing to be done
That may to thee do ease and grace to me ,
Speak to me .
If thou art privy to thy country’s fate ,
Which happily foreknowing may avoid ,
O , speak !
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth ,
For which , they say , you spirits oft walk in death ,
Speak of it .
The cock crows .
Stay and speak ! — Stop it , Marcellus .
MARCELLUS
Shall I strike it with my partisan ?
HORATIO
Do , if it will not stand .
BARNARDO
’Tis here .
HORATIO
’Tis here .
Ghost exits .
MARCELLUS
’Tis gone .
We do it wrong , being so majestical ,
To offer it the show of violence ,
For it is as the air , invulnerable ,
And our vain blows malicious mockery .
BARNARDO
It was about to speak when the cock crew .
HORATIO
And then it started like a guilty thing
Upon a fearful summons . I have heard
The cock , that is the trumpet to the morn ,
Doth with his lofty and shrill-sounding throat
Awake the god of day , and at his warning ,
Whether in sea or fire , in earth or air ,
Th’ extravagant and erring spirit hies
To his confine , and of the truth herein
This present object made probation .
MARCELLUS
It faded on the crowing of the cock .
Some say that ever ’gainst that season comes
Wherein our Savior’s birth is celebrated ,
This bird of dawning singeth all night long ;
And then , they say , no spirit dare stir abroad ,
The nights are wholesome ; then no planets strike ,
No fairy takes , nor witch hath power to charm ,
So hallowed and so gracious is that time .
HORATIO
So have I heard and do in part believe it .
But look , the morn in russet mantle clad
Walks o’er the dew of yon high eastward hill .
Break we our watch up , and by my advice
Let us impart what we have seen tonight
Unto young Hamlet ; for , upon my life ,
This spirit , dumb to us , will speak to him .
Do you consent we shall acquaint him with it
As needful in our loves , fitting our duty ?
MARCELLUS
Let’s do ’t , I pray , and I this morning know
Where we shall find him most convenient .
They exit .

Scene 2

Flourish .
Enter Claudius , King of Denmark , Gertrude the Queen , the Council , as Polonius , and his son Laertes , Hamlet , with others , among them Voltemand and Cornelius .
KING
Though yet of Hamlet our dear brother’s death
The memory be green , and that it us befitted
To bear our hearts in grief , and our whole kingdom
To be contracted in one brow of woe ,
Yet so far hath discretion fought with nature
That we with wisest sorrow think on him
Together with remembrance of ourselves .
Therefore our sometime sister , now our queen ,
Th’ imperial jointress to this warlike state ,
Have we ( as ’twere with a defeated joy ,
With an auspicious and a dropping eye ,
With mirth in funeral and with dirge in marriage ,
In equal scale weighing delight and dole )
Taken to wife . Nor have we herein barred
Your better wisdoms , which have freely gone
With this affair along . For all , our thanks .
Now follows that you know . Young Fortinbras ,
Holding a weak supposal of our worth
Or thinking by our late dear brother’s death
Our state to be disjoint and out of frame ,
Colleaguèd with this dream of his advantage ,
He hath not failed to pester us with message
Importing the surrender of those lands
Lost by his father , with all bonds of law ,
To our most valiant brother — so much for him .
Now for ourself and for this time of meeting .
Thus much the business is : we have here writ
To Norway , uncle of young Fortinbras ,
Who , impotent and bedrid , scarcely hears
Of this his nephew’s purpose , to suppress
His further gait herein , in that the levies ,
The lists , and full proportions are all made
Out of his subject ; and we here dispatch
You , good Cornelius , and you , Voltemand ,
For bearers of this greeting to old Norway ,
Giving to you no further personal power
To business with the King more than the scope
Of these dilated articles allow .
Giving them a paper .
Farewell , and let your haste commend your duty .
CORNELIUS / VOLTEMAND
In that and all things will we show our duty .
KING
We doubt it nothing . Heartily farewell .
Voltemand and Cornelius exit .
And now , Laertes , what’s the news with you ?
You told us of some suit . What is ’t , Laertes ?
You cannot speak of reason to the Dane
And lose your voice . What wouldst thou beg , Laertes ,
That shall not be my offer , not thy asking ?
The head is not more native to the heart ,
The hand more instrumental to the mouth ,
Than is the throne of Denmark to thy father .
What wouldst thou have , Laertes ?
LAERTES
My dread lord ,
Your leave and favor to return to France ,
From whence though willingly I came to Denmark
To show my duty in your coronation ,
Yet now I must confess , that duty done ,
My thoughts and wishes bend again toward France
And bow them to your gracious leave and pardon .
KING
Have you your father’s leave ? What says Polonius ?
POLONIUS
Hath , my lord , wrung from me my slow leave
By laborsome petition , and at last
Upon his will I sealed my hard consent .
I do beseech you give him leave to go .
KING
Take thy fair hour , Laertes . Time be thine ,
And thy best graces spend it at thy will . —
But now , my cousin Hamlet and my son —
HAMLET
, aside
A little more than kin and less than kind .
KING
How is it that the clouds still hang on you ?
HAMLET
Not so , my lord ; I am too much in the sun .
QUEEN
Good Hamlet , cast thy nighted color off ,
And let thine eye look like a friend on Denmark .
Do not forever with thy vailèd lids
Seek for thy noble father in the dust .
Thou know’st ’tis common ; all that lives must die ,
Passing through nature to eternity .
HAMLET
Ay , madam , it is common .
QUEEN
If it be ,
Why seems it so particular with thee ?
HAMLET
“ Seems , ” madam ? Nay , it is . I know not “ seems . ”
’Tis not alone my inky cloak , good mother ,
Nor customary suits of solemn black ,
Nor windy suspiration of forced breath ,
No , nor the fruitful river in the eye ,
Nor the dejected havior of the visage ,
Together with all forms , moods , shapes of grief ,
That can denote me truly . These indeed “ seem , ”
For they are actions that a man might play ;
But I have that within which passes show ,
These but the trappings and the suits of woe .
KING
’Tis sweet and commendable in your nature , Hamlet ,
To give these mourning duties to your father .
But you must know your father lost a father ,
That father lost , lost his , and the survivor bound
In filial obligation for some term
To do obsequious sorrow . But to persever
In obstinate condolement is a course
Of impious stubbornness . ’Tis unmanly grief .
It shows a will most incorrect to heaven ,
A heart unfortified , a mind impatient ,
An understanding simple and unschooled .
For what we know must be and is as common
As any the most vulgar thing to sense ,
Why should we in our peevish opposition
Take it to heart ? Fie , ’tis a fault to heaven ,
A fault against the dead , a fault to nature ,
To reason most absurd , whose common theme
Is death of fathers , and who still hath cried ,
From the first corse till he that died today ,
“ This must be so . ” We pray you , throw to earth
This unprevailing woe and think of us
As of a father ; for let the world take note ,
You are the most immediate to our throne ,
And with no less nobility of love
Than that which dearest father bears his son
Do I impart toward you . For your intent
In going back to school in Wittenberg ,
It is most retrograde to our desire ,
And we beseech you , bend you to remain
Here in the cheer and comfort of our eye ,
Our chiefest courtier , cousin , and our son .
QUEEN
Let not thy mother lose her prayers , Hamlet .
I pray thee , stay with us . Go not to Wittenberg .
HAMLET
I shall in all my best obey you , madam .
KING
Why , ’tis a loving and a fair reply .
Be as ourself in Denmark . — Madam , come .
This gentle and unforced accord of Hamlet
Sits smiling to my heart , in grace whereof
No jocund health that Denmark drinks today
But the great cannon to the clouds shall tell ,
And the King’s rouse the heaven shall bruit again ,
Respeaking earthly thunder . Come away .
Flourish .
All but Hamlet exit .
HAMLET
O , that this too , too sullied flesh would melt ,
Thaw , and resolve itself into a dew ,
Or that the Everlasting had not fixed
His canon ’gainst self-slaughter ! O God , God ,
How weary , stale , flat , and unprofitable
Seem to me all the uses of this world !
Fie on ’t , ah fie ! ’Tis an unweeded garden
That grows to seed . Things rank and gross in nature
Possess it merely . That it should come to this :
But two months dead — nay , not so much , not two .
So excellent a king , that was to this
Hyperion to a satyr ; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly . Heaven and Earth ,
Must I remember ? Why , she would hang on him
As if increase of appetite had grown
By what it fed on . And yet , within a month
( Let me not think on ’t ; frailty , thy name is woman ! ) ,
A little month , or ere those shoes were old
With which she followed my poor father’s body ,
Like Niobe , all tears — why she , even she
( O God , a beast that wants discourse of reason
Would have mourned longer ! ) , married with my uncle ,
My father’s brother , but no more like my father
Than I to Hercules . Within a month ,
Ere yet the salt of most unrighteous tears
Had left the flushing in her gallèd eyes ,
She married . O , most wicked speed , to post
With such dexterity to incestuous sheets !
It is not , nor it cannot come to good .
But break , my heart , for I must hold my tongue .
Enter Horatio , Marcellus , and Barnardo .
HORATIO
Hail to your Lordship .
HAMLET
I am glad to see you well .
Horatio — or I do forget myself !
HORATIO
The same , my lord , and your poor servant ever .
HAMLET
Sir , my good friend . I’ll change that name with you .
And what make you from Wittenberg , Horatio ? —
Marcellus ?
MARCELLUS
My good lord .
HAMLET
I am very glad to see you .
To Barnardo .
Good even , sir . —
But what , in faith , make you from Wittenberg ?
HORATIO
A truant disposition , good my lord .
HAMLET
I would not hear your enemy say so ,
Nor shall you do my ear that violence
To make it truster of your own report
Against yourself . I know you are no truant .
But what is your affair in Elsinore ?
We’ll teach you to drink deep ere you depart .
HORATIO
My lord , I came to see your father’s funeral .
HAMLET
I prithee , do not mock me , fellow student .
I think it was to see my mother’s wedding .
HORATIO
Indeed , my lord , it followed hard upon .
HAMLET
Thrift , thrift , Horatio . The funeral baked meats
Did coldly furnish forth the marriage tables .
Would I had met my dearest foe in heaven
Or ever I had seen that day , Horatio !
My father — methinks I see my father .
HORATIO
Where , my lord ?
HAMLET
In my mind’s eye , Horatio .
HORATIO
I saw him once . He was a goodly king .
HAMLET
He was a man . Take him for all in all ,
I shall not look upon his like again .
HORATIO
My lord , I think I saw him yesternight .
HAMLET
Saw who ?
HORATIO
My lord , the King your father .
HAMLET
The King my father ?
HORATIO
Season your admiration for a while
With an attent ear , till I may deliver
Upon the witness of these gentlemen
This marvel to you .
HAMLET
For God’s love , let me hear !
HORATIO
Two nights together had these gentlemen ,
Marcellus and Barnardo , on their watch ,
In the dead waste and middle of the night ,
Been thus encountered : a figure like your father ,
Armed at point exactly , cap-à-pie ,
Appears before them and with solemn march
Goes slow and stately by them . Thrice he walked
By their oppressed and fear-surprisèd eyes
Within his truncheon’s length , whilst they , distilled
Almost to jelly with the act of fear ,
Stand dumb and speak not to him . This to me
In dreadful secrecy impart they did ,
And I with them the third night kept the watch ,
Where , as they had delivered , both in time ,
Form of the thing ( each word made true and good ) ,
The apparition comes . I knew your father ;
These hands are not more like .
HAMLET
But where was this ?
MARCELLUS
My lord , upon the platform where we watch .
HAMLET
Did you not speak to it ?
HORATIO
My lord , I did ,
But answer made it none . Yet once methought
It lifted up its head and did address
Itself to motion , like as it would speak ;
But even then the morning cock crew loud ,
And at the sound it shrunk in haste away
And vanished from our sight .
HAMLET
’Tis very strange .
HORATIO
As I do live , my honored lord , ’tis true .
And we did think it writ down in our duty
To let you know of it .
HAMLET
Indeed , sirs , but this troubles me .
Hold you the watch tonight ?
ALL
We do , my lord .
HAMLET
Armed , say you ?
ALL
Armed , my lord .
HAMLET
From top to toe ?
ALL
My lord , from head to foot .
HAMLET
Then saw you not his face ?
HORATIO
O , yes , my lord , he wore his beaver up .
HAMLET
What , looked he frowningly ?
HORATIO
A countenance more in sorrow than in anger .
HAMLET
Pale or red ?
HORATIO
Nay , very pale .
HAMLET
And fixed his eyes upon you ?
HORATIO
Most constantly .
HAMLET
I would I had been there .
HORATIO
It would have much amazed you .
HAMLET
Very like . Stayed it long ?
HORATIO
While one with moderate haste might tell a hundred .
BARNARDO / MARCELLUS
Longer , longer .
HORATIO
Not when I saw ’t .
HAMLET
His beard was grizzled , no ?
HORATIO
It was as I have seen it in his life ,
A sable silvered .
HAMLET
I will watch tonight .
Perchance ’twill walk again .
HORATIO
I warrant it will .
HAMLET
If it assume my noble father’s person ,
I’ll speak to it , though hell itself should gape
And bid me hold my peace . I pray you all ,
If you have hitherto concealed this sight ,
Let it be tenable in your silence still ;
And whatsomever else shall hap tonight ,
Give it an understanding but no tongue .
I will requite your loves . So fare you well .
Upon the platform , ’twixt eleven and twelve ,
I’ll visit you .
ALL
Our duty to your Honor .
HAMLET
Your loves , as mine to you . Farewell .
All but Hamlet exit .
My father’s spirit — in arms ! All is not well .
I doubt some foul play . Would the night were come !
Till then , sit still , my soul . Foul deeds will rise ,
Though all the earth o’erwhelm them , to men’s eyes .
He exits .

Scene 3

Enter Laertes and Ophelia , his sister .
LAERTES
My necessaries are embarked . Farewell .
And , sister , as the winds give benefit
And convey is assistant , do not sleep ,
But let me hear from you .
OPHELIA
Do you doubt that ?
LAERTES
For Hamlet , and the trifling of his favor ,
Hold it a fashion and a toy in blood ,
A violet in the youth of primy nature ,
Forward , not permanent , sweet , not lasting ,
The perfume and suppliance of a minute ,
No more .
OPHELIA
No more but so ?
LAERTES
Think it no more .
For nature , crescent , does not grow alone
In thews and bulk , but , as this temple waxes ,
The inward service of the mind and soul
Grows wide withal . Perhaps he loves you now ,
And now no soil nor cautel doth besmirch
The virtue of his will ; but you must fear ,
His greatness weighed , his will is not his own ,
For he himself is subject to his birth .
He may not , as unvalued persons do ,
Carve for himself , for on his choice depends
The safety and the health of this whole state .
And therefore must his choice be circumscribed
Unto the voice and yielding of that body
Whereof he is the head . Then , if he says he loves you ,
It fits your wisdom so far to believe it
As he in his particular act and place
May give his saying deed , which is no further
Than the main voice of Denmark goes withal .
Then weigh what loss your honor may sustain
If with too credent ear you list his songs
Or lose your heart or your chaste treasure open
To his unmastered importunity .
Fear it , Ophelia ; fear it , my dear sister ,
And keep you in the rear of your affection ,
Out of the shot and danger of desire .
The chariest maid is prodigal enough
If she unmask her beauty to the moon .
Virtue itself ’scapes not calumnious strokes .
The canker galls the infants of the spring
Too oft before their buttons be disclosed ,
And , in the morn and liquid dew of youth ,
Contagious blastments are most imminent .
Be wary , then ; best safety lies in fear .
Youth to itself rebels , though none else near .
OPHELIA
I shall the effect of this good lesson keep
As watchman to my heart . But , good my brother ,
Do not , as some ungracious pastors do ,
Show me the steep and thorny way to heaven ,
Whiles , like a puffed and reckless libertine ,
Himself the primrose path of dalliance treads
And recks not his own rede .
LAERTES
O , fear me not .
Enter Polonius .
I stay too long . But here my father comes .
A double blessing is a double grace .
Occasion smiles upon a second leave .
POLONIUS
Yet here , Laertes ? Aboard , aboard , for shame !
The wind sits in the shoulder of your sail ,
And you are stayed for . There , my blessing with thee .
And these few precepts in thy memory
Look thou character . Give thy thoughts no tongue ,
Nor any unproportioned thought his act .
Be thou familiar , but by no means vulgar .
Those friends thou hast , and their adoption tried ,
Grapple them unto thy soul with hoops of steel ,
But do not dull thy palm with entertainment
Of each new-hatched , unfledged courage . Beware
Of entrance to a quarrel , but , being in ,
Bear ’t that th’ opposèd may beware of thee .
Give every man thy ear , but few thy voice .
Take each man’s censure , but reserve thy judgment .
Costly thy habit as thy purse can buy ,
But not expressed in fancy ( rich , not gaudy ) ,
For the apparel oft proclaims the man ,
And they in France of the best rank and station
Are of a most select and generous chief in that .
Neither a borrower nor a lender be ,
For loan oft loses both itself and friend ,
And borrowing dulls the edge of husbandry .
This above all : to thine own self be true ,
And it must follow , as the night the day ,
Thou canst not then be false to any man .
Farewell . My blessing season this in thee .
LAERTES
Most humbly do I take my leave , my lord .
POLONIUS
The time invests you . Go , your servants tend .
LAERTES
Farewell , Ophelia , and remember well
What I have said to you .
OPHELIA
’Tis in my memory locked ,
And you yourself shall keep the key of it .
LAERTES
Farewell .
Laertes exits .
POLONIUS
What is ’t , Ophelia , he hath said to you ?
OPHELIA
So please you , something touching the Lord Hamlet .
POLONIUS
Marry , well bethought .
’Tis told me he hath very oft of late
Given private time to you , and you yourself
Have of your audience been most free and bounteous .
If it be so ( as so ’tis put on me ,
And that in way of caution ) , I must tell you
You do not understand yourself so clearly
As it behooves my daughter and your honor .
What is between you ? Give me up the truth .
OPHELIA
He hath , my lord , of late made many tenders
Of his affection to me .
POLONIUS
Affection , puh ! You speak like a green girl
Unsifted in such perilous circumstance .
Do you believe his “ tenders , ” as you call them ?
OPHELIA
I do not know , my lord , what I should think .
POLONIUS
Marry , I will teach you . Think yourself a baby
That you have ta’en these tenders for true pay ,
Which are not sterling . Tender yourself more dearly ,
Or ( not to crack the wind of the poor phrase ,
Running it thus ) you’ll tender me a fool .
OPHELIA
My lord , he hath importuned me with love
In honorable fashion —
POLONIUS
Ay , “ fashion ” you may call it . Go to , go to !
OPHELIA
And hath given countenance to his speech , my lord ,
With almost all the holy vows of heaven .
POLONIUS
Ay , springes to catch woodcocks . I do know ,
When the blood burns , how prodigal the soul
Lends the tongue vows . These blazes , daughter ,
Giving more light than heat , extinct in both
Even in their promise as it is a-making ,
You must not take for fire . From this time
Be something scanter of your maiden presence .
Set your entreatments at a higher rate
Than a command to parle . For Lord Hamlet ,
Believe so much in him that he is young ,
And with a larger tether may he walk
Than may be given you . In few , Ophelia ,
Do not believe his vows , for they are brokers ,
Not of that dye which their investments show ,
But mere implorators of unholy suits ,
Breathing like sanctified and pious bawds
The better to beguile . This is for all :
I would not , in plain terms , from this time forth
Have you so slander any moment leisure
As to give words or talk with the Lord Hamlet .
Look to ’t , I charge you . Come your ways .
OPHELIA
I shall obey , my lord .
They exit .

Scene 4

Enter Hamlet , Horatio , and Marcellus .
HAMLET
The air bites shrewdly ; it is very cold .
HORATIO
It is a nipping and an eager air .
HAMLET
What hour now ?
HORATIO
I think it lacks of twelve .
MARCELLUS
No , it is struck .
HORATIO
Indeed , I heard it not . It then draws near the season
Wherein the spirit held his wont to walk .
A flourish of trumpets and two pieces goes off .
What does this mean , my lord ?
HAMLET
The King doth wake tonight and takes his rouse ,
Keeps wassail , and the swagg’ring upspring reels ;
And , as he drains his draughts of Rhenish down ,
The kettledrum and trumpet thus bray out
The triumph of his pledge .
HORATIO
Is it a custom ?
HAMLET
Ay , marry , is ’t ,
But , to my mind , though I am native here
And to the manner born , it is a custom
More honored in the breach than the observance .
This heavy-headed revel east and west
Makes us traduced and taxed of other nations .
They clepe us drunkards and with swinish phrase
Soil our addition . And , indeed , it takes
From our achievements , though performed at height ,
The pith and marrow of our attribute .
So oft it chances in particular men
That for some vicious mole of nature in them ,
As in their birth ( wherein they are not guilty ,
Since nature cannot choose his origin ) ,
By the o’ergrowth of some complexion
( Oft breaking down the pales and forts of reason ) ,
Or by some habit that too much o’erleavens
The form of plausive manners — that these men ,
Carrying , I say , the stamp of one defect ,
Being nature’s livery or fortune’s star ,
His virtues else , be they as pure as grace ,
As infinite as man may undergo ,
Shall in the general censure take corruption
From that particular fault . The dram of evil
Doth all the noble substance of a doubt
To his own scandal .
Enter Ghost .
HORATIO
Look , my lord , it comes .
HAMLET
Angels and ministers of grace , defend us !
Be thou a spirit of health or goblin damned ,
Bring with thee airs from heaven or blasts from hell ,
Be thy intents wicked or charitable ,
Thou com’st in such a questionable shape
That I will speak to thee . I’ll call thee “ Hamlet , ”
“ King , ” “ Father , ” “ Royal Dane . ” O , answer me !
Let me not burst in ignorance , but tell
Why thy canonized bones , hearsèd in death ,
Have burst their cerements ; why the sepulcher ,
Wherein we saw thee quietly interred ,
Hath oped his ponderous and marble jaws
To cast thee up again . What may this mean
That thou , dead corse , again in complete steel ,
Revisits thus the glimpses of the moon ,
Making night hideous , and we fools of nature
So horridly to shake our disposition
With thoughts beyond the reaches of our souls ?
Say , why is this ? Wherefore ? What should we do ?
Ghost beckons .
HORATIO
It beckons you to go away with it
As if it some impartment did desire
To you alone .
MARCELLUS
Look with what courteous action
It waves you to a more removèd ground .
But do not go with it .
HORATIO
No , by no means .
HAMLET
It will not speak . Then I will follow it .
HORATIO
Do not , my lord .
HAMLET
Why , what should be the fear ?
I do not set my life at a pin’s fee .
And for my soul , what can it do to that ,
Being a thing immortal as itself ?
It waves me forth again . I’ll follow it .
HORATIO
What if it tempt you toward the flood , my lord ?
Or to the dreadful summit of the cliff
That beetles o’er his base into the sea ,
And there assume some other horrible form
Which might deprive your sovereignty of reason
And draw you into madness ? Think of it .
The very place puts toys of desperation ,
Without more motive , into every brain
That looks so many fathoms to the sea
And hears it roar beneath .
HAMLET
It waves me still . — Go on , I’ll follow thee .
MARCELLUS
You shall not go , my lord .
They hold back Hamlet .
HAMLET
Hold off your hands .
HORATIO
Be ruled . You shall not go .
HAMLET
My fate cries out
And makes each petty arture in this body
As hardy as the Nemean lion’s nerve .
Still am I called . Unhand me , gentlemen .
By heaven , I’ll make a ghost of him that lets me !
I say , away ! — Go on . I’ll follow thee .
Ghost and Hamlet exit .
HORATIO
He waxes desperate with imagination .
MARCELLUS
Let’s follow . ’Tis not fit thus to obey him .
HORATIO
Have after . To what issue will this come ?
MARCELLUS
Something is rotten in the state of Denmark .
HORATIO
Heaven will direct it .
MARCELLUS
Nay , let’s follow him .
They exit .

Scene 5

Enter Ghost and Hamlet .
HAMLET
Whither wilt thou lead me ? Speak . I’ll go no further .
GHOST
Mark me .
HAMLET
I will .
GHOST
My hour is almost come
When I to sulf’rous and tormenting flames
Must render up myself .
HAMLET
Alas , poor ghost !
GHOST
Pity me not , but lend thy serious hearing
To what I shall unfold .
HAMLET
Speak . I am bound to hear .
GHOST
So art thou to revenge , when thou shalt hear .
HAMLET
What ?
GHOST
I am thy father’s spirit ,
Doomed for a certain term to walk the night
And for the day confined to fast in fires
Till the foul crimes done in my days of nature
Are burnt and purged away . But that I am forbid
To tell the secrets of my prison house ,
I could a tale unfold whose lightest word
Would harrow up thy soul , freeze thy young blood ,
Make thy two eyes , like stars , start from their spheres ,
Thy knotted and combinèd locks to part ,
And each particular hair to stand an end ,
Like quills upon the fearful porpentine .
But this eternal blazon must not be
To ears of flesh and blood . List , list , O list !
If thou didst ever thy dear father love —
HAMLET
O God !
GHOST
Revenge his foul and most unnatural murder .
HAMLET
Murder ?
GHOST
Murder most foul , as in the best it is ,
But this most foul , strange , and unnatural .
HAMLET
Haste me to know ’t , that I , with wings as swift
As meditation or the thoughts of love ,
May sweep to my revenge .
GHOST
I find thee apt ;
And duller shouldst thou be than the fat weed
That roots itself in ease on Lethe wharf ,
Wouldst thou not stir in this . Now , Hamlet , hear .
’Tis given out that , sleeping in my orchard ,
A serpent stung me . So the whole ear of Denmark
Is by a forgèd process of my death
Rankly abused . But know , thou noble youth ,
The serpent that did sting thy father’s life
Now wears his crown .
HAMLET
O , my prophetic soul ! My uncle !
GHOST
Ay , that incestuous , that adulterate beast ,
With witchcraft of his wits , with traitorous gifts —
O wicked wit and gifts , that have the power
So to seduce ! — won to his shameful lust
The will of my most seeming-virtuous queen .
O Hamlet , what a falling off was there !
From me , whose love was of that dignity
That it went hand in hand even with the vow
I made to her in marriage , and to decline
Upon a wretch whose natural gifts were poor
To those of mine .
But virtue , as it never will be moved ,
Though lewdness court it in a shape of heaven ,
So , lust , though to a radiant angel linked ,
Will sate itself in a celestial bed
And prey on garbage .
But soft , methinks I scent the morning air .
Brief let me be . Sleeping within my orchard ,
My custom always of the afternoon ,
Upon my secure hour thy uncle stole ,
With juice of cursèd hebona in a vial
And in the porches of my ears did pour
The leprous distilment , whose effect
Holds such an enmity with blood of man
That swift as quicksilver it courses through
The natural gates and alleys of the body ,
And with a sudden vigor it doth posset
And curd , like eager droppings into milk ,
The thin and wholesome blood . So did it mine ,
And a most instant tetter barked about ,
Most lazar-like , with vile and loathsome crust
All my smooth body .
Thus was I , sleeping , by a brother’s hand
Of life , of crown , of queen at once dispatched ,
Cut off , even in the blossoms of my sin ,
Unhouseled , disappointed , unaneled ,
No reck’ning made , but sent to my account
With all my imperfections on my head .
O horrible , O horrible , most horrible !
If thou hast nature in thee , bear it not .
Let not the royal bed of Denmark be
A couch for luxury and damnèd incest .
But , howsomever thou pursues this act ,
Taint not thy mind , nor let thy soul contrive
Against thy mother aught . Leave her to heaven
And to those thorns that in her bosom lodge
To prick and sting her . Fare thee well at once .
The glowworm shows the matin to be near
And ’gins to pale his uneffectual fire .
Adieu , adieu , adieu . Remember me .
He exits .
HAMLET
O all you host of heaven ! O Earth ! What else ?
And shall I couple hell ? O fie ! Hold , hold , my heart ,
And you , my sinews , grow not instant old ,
But bear me stiffly up . Remember thee ?
Ay , thou poor ghost , whiles memory holds a seat
In this distracted globe . Remember thee ?
Yea , from the table of my memory
I’ll wipe away all trivial , fond records ,
All saws of books , all forms , all pressures past ,
That youth and observation copied there ,
And thy commandment all alone shall live
Within the book and volume of my brain ,
Unmixed with baser matter . Yes , by heaven !
O most pernicious woman !
O villain , villain , smiling , damnèd villain !
My tables — meet it is I set it down
That one may smile and smile and be a villain .
At least I am sure it may be so in Denmark .
He writes .
So , uncle , there you are . Now to my word .
It is “ adieu , adieu , remember me . ”
I have sworn ’t .
Enter Horatio and Marcellus .
HORATIO

My lord , my lord !

MARCELLUS

Lord Hamlet .

HORATIO

Heavens secure him !

HAMLET

So be it .

MARCELLUS

Illo , ho , ho , my lord !

HAMLET

Hillo , ho , ho , boy ! Come , bird , come !

MARCELLUS
How is ’t , my noble lord ?
HORATIO
What news , my lord ?
HAMLET
O , wonderful !
HORATIO
Good my lord , tell it .
HAMLET
No , you will reveal it .
HORATIO
Not I , my lord , by heaven .
MARCELLUS
Nor I , my lord .
HAMLET
How say you , then ? Would heart of man once think it ?
But you’ll be secret ?
HORATIO / MARCELLUS
Ay , by heaven , my lord .
HAMLET
There’s never a villain dwelling in all Denmark
But he’s an arrant knave .
HORATIO
There needs no ghost , my lord , come from the grave
To tell us this .
HAMLET
Why , right , you are in the right .
And so , without more circumstance at all ,
I hold it fit that we shake hands and part ,
You , as your business and desire shall point you
( For every man hath business and desire ,
Such as it is ) , and for my own poor part ,
I will go pray .
HORATIO
These are but wild and whirling words , my lord .
HAMLET
I am sorry they offend you , heartily ;
Yes , faith , heartily .
HORATIO
There’s no offense , my lord .
HAMLET
Yes , by Saint Patrick , but there is , Horatio ,
And much offense , too . Touching this vision here ,
It is an honest ghost — that let me tell you .
For your desire to know what is between us ,
O’ermaster ’t as you may . And now , good friends ,
As you are friends , scholars , and soldiers ,
Give me one poor request .
HORATIO
What is ’t , my lord ? We will .
HAMLET
Never make known what you have seen tonight .
HORATIO / MARCELLUS
My lord , we will not .
HAMLET
Nay , but swear ’t .
HORATIO
In faith , my lord , not I .
MARCELLUS
Nor I , my lord , in faith .
HAMLET
Upon my sword .
MARCELLUS
We have sworn , my lord , already .
HAMLET
Indeed , upon my sword , indeed .
GHOST
cries under the stage
Swear .
HAMLET
Ha , ha , boy , sayst thou so ? Art thou there , truepenny ?
Come on , you hear this fellow in the cellarage .
Consent to swear .
HORATIO
Propose the oath , my lord .
HAMLET
Never to speak of this that you have seen ,
Swear by my sword .
GHOST
, beneath
Swear .
HAMLET
Hic et ubique ? Then we’ll shift our ground .
Come hither , gentlemen ,
And lay your hands again upon my sword .
Swear by my sword
Never to speak of this that you have heard .
GHOST
, beneath
Swear by his sword .
HAMLET
Well said , old mole . Canst work i’ th’ earth so fast ? —
A worthy pioner ! Once more remove , good friends .
HORATIO
O day and night , but this is wondrous strange .
HAMLET
And therefore as a stranger give it welcome .
There are more things in heaven and earth , Horatio ,
Than are dreamt of in your philosophy . But come .
Here , as before , never , so help you mercy ,
How strange or odd some’er I bear myself
( As I perchance hereafter shall think meet
To put an antic disposition on )
That you , at such times seeing me , never shall ,
With arms encumbered thus , or this headshake ,
Or by pronouncing of some doubtful phrase ,
As “ Well , well , we know , ” or “ We could an if we would , ”
Or “ If we list to speak , ” or “ There be an if they might , ”
Or such ambiguous giving-out , to note
That you know aught of me — this do swear ,
So grace and mercy at your most need help you .
GHOST
, beneath

Swear .

HAMLET
Rest , rest , perturbèd spirit . — So , gentlemen ,
With all my love I do commend me to you ,
And what so poor a man as Hamlet is
May do t’ express his love and friending to you ,
God willing , shall not lack . Let us go in together ,
And still your fingers on your lips , I pray .
The time is out of joint . O cursèd spite
That ever I was born to set it right !
Nay , come , let’s go together .
They exit .

ACT 2

Scene 1

Enter old Polonius with his man Reynaldo .
POLONIUS
Give him this money and these notes , Reynaldo .
REYNALDO
I will , my lord .
POLONIUS
You shall do marvelous wisely , good Reynaldo ,
Before you visit him , to make inquire
Of his behavior .
REYNALDO
My lord , I did intend it .
POLONIUS
Marry , well said , very well said . Look you , sir ,
Inquire me first what Danskers are in Paris ;
And how , and who , what means , and where they keep ,
What company , at what expense ; and finding
By this encompassment and drift of question
That they do know my son , come you more nearer
Than your particular demands will touch it .
Take you , as ’twere , some distant knowledge of him ,
As thus : “ I know his father and his friends
And , in part , him . ” Do you mark this , Reynaldo ?
REYNALDO
Ay , very well , my lord .
POLONIUS
“ And , in part , him , but , ” you may say , “ not well .
But if ’t be he I mean , he’s very wild ,
Addicted so and so . ” And there put on him
What forgeries you please — marry , none so rank
As may dishonor him , take heed of that ,
But , sir , such wanton , wild , and usual slips
As are companions noted and most known
To youth and liberty .
REYNALDO
As gaming , my lord .
POLONIUS
Ay , or drinking , fencing , swearing ,
Quarreling , drabbing — you may go so far .
REYNALDO
My lord , that would dishonor him .
POLONIUS
Faith , no , as you may season it in the charge .
You must not put another scandal on him
That he is open to incontinency ;
That’s not my meaning . But breathe his faults so quaintly
That they may seem the taints of liberty ,
The flash and outbreak of a fiery mind ,
A savageness in unreclaimèd blood ,
Of general assault .
REYNALDO
But , my good lord —
POLONIUS
Wherefore should you do this ?
REYNALDO
Ay , my lord , I would know that .
POLONIUS
Marry , sir , here’s my drift ,
And I believe it is a fetch of wit .
You , laying these slight sullies on my son ,
As ’twere a thing a little soiled i’ th’ working ,
Mark you , your party in converse , him you would sound ,
Having ever seen in the prenominate crimes
The youth you breathe of guilty , be assured
He closes with you in this consequence :
“ Good sir , ” or so , or “ friend , ” or “ gentleman , ”
According to the phrase or the addition
Of man and country —
REYNALDO
Very good , my lord .
POLONIUS

And then , sir , does he this , he does — what was I about to say ? By the Mass , I was about to say something . Where did I leave ?

REYNALDO

At “ closes in the consequence , ” at “ friend , or so , ” and “ gentleman . ”

POLONIUS
At “ closes in the consequence ” — ay , marry —
He closes thus : “ I know the gentleman .
I saw him yesterday , ” or “ th’ other day ”
( Or then , or then , with such or such ) , “ and as you say ,
There was he gaming , there o’ertook in ’s rouse ,
There falling out at tennis ” ; or perchance
“ I saw him enter such a house of sale ” —
Videlicet , a brothel — or so forth . See you now
Your bait of falsehood take this carp of truth ;
And thus do we of wisdom and of reach ,
With windlasses and with assays of bias ,
By indirections find directions out .
So by my former lecture and advice
Shall you my son . You have me , have you not ?
REYNALDO
My lord , I have .
POLONIUS
God be wi’ you . Fare you well .
REYNALDO
Good my lord .
POLONIUS
Observe his inclination in yourself .
REYNALDO
I shall , my lord .
POLONIUS
And let him ply his music .
REYNALDO
Well , my lord .
POLONIUS
Farewell .
Reynaldo exits .
Enter Ophelia .
How now , Ophelia , what’s the matter ?
OPHELIA
O , my lord , my lord , I have been so affrighted !
POLONIUS
With what , i’ th’ name of God ?
OPHELIA
My lord , as I was sewing in my closet ,
Lord Hamlet , with his doublet all unbraced ,
No hat upon his head , his stockings fouled ,
Ungartered , and down-gyvèd to his ankle ,
Pale as his shirt , his knees knocking each other ,
And with a look so piteous in purport
As if he had been loosèd out of hell
To speak of horrors — he comes before me .
POLONIUS
Mad for thy love ?
OPHELIA
My lord , I do not know ,
But truly I do fear it .
POLONIUS
What said he ?
OPHELIA
He took me by the wrist and held me hard .
Then goes he to the length of all his arm ,
And , with his other hand thus o’er his brow ,
He falls to such perusal of my face
As he would draw it . Long stayed he so .
At last , a little shaking of mine arm ,
And thrice his head thus waving up and down ,
He raised a sigh so piteous and profound
As it did seem to shatter all his bulk
And end his being . That done , he lets me go ,
And , with his head over his shoulder turned ,
He seemed to find his way without his eyes ,
For out o’ doors he went without their helps
And to the last bended their light on me .
POLONIUS
Come , go with me . I will go seek the King .
This is the very ecstasy of love ,
Whose violent property fordoes itself
And leads the will to desperate undertakings
As oft as any passions under heaven
That does afflict our natures . I am sorry .
What , have you given him any hard words of late ?
OPHELIA
No , my good lord , but as you did command
I did repel his letters and denied
His access to me .
POLONIUS
That hath made him mad .
I am sorry that with better heed and judgment
I had not coted him . I feared he did but trifle
And meant to wrack thee . But beshrew my jealousy !
By heaven , it is as proper to our age
To cast beyond ourselves in our opinions
As it is common for the younger sort
To lack discretion . Come , go we to the King .
This must be known , which , being kept close , might move
More grief to hide than hate to utter love .
Come .
They exit .

Scene 2

Flourish .
Enter King and Queen , Rosencrantz and Guildenstern and Attendants .
KING
Welcome , dear Rosencrantz and Guildenstern .
Moreover that we much did long to see you ,
The need we have to use you did provoke
Our hasty sending . Something have you heard
Of Hamlet’s transformation , so call it ,
Sith nor th’ exterior nor the inward man
Resembles that it was . What it should be ,
More than his father’s death , that thus hath put him
So much from th’ understanding of himself
I cannot dream of . I entreat you both
That , being of so young days brought up with him
And sith so neighbored to his youth and havior ,
That you vouchsafe your rest here in our court
Some little time , so by your companies
To draw him on to pleasures , and to gather
So much as from occasion you may glean ,
Whether aught to us unknown afflicts him thus
That , opened , lies within our remedy .
QUEEN
Good gentlemen , he hath much talked of you ,
And sure I am two men there is not living
To whom he more adheres . If it will please you
To show us so much gentry and goodwill
As to expend your time with us awhile
For the supply and profit of our hope ,
Your visitation shall receive such thanks
As fits a king’s remembrance .
ROSENCRANTZ
Both your Majesties
Might , by the sovereign power you have of us ,
Put your dread pleasures more into command
Than to entreaty .
GUILDENSTERN
But we both obey ,
And here give up ourselves in the full bent
To lay our service freely at your feet ,
To be commanded .
KING
Thanks , Rosencrantz and gentle Guildenstern .
QUEEN
Thanks , Guildenstern and gentle Rosencrantz .
And I beseech you instantly to visit
My too much changèd son . — Go , some of you ,
And bring these gentlemen where Hamlet is .
GUILDENSTERN
Heavens make our presence and our practices
Pleasant and helpful to him !
QUEEN
Ay , amen !
Rosencrantz and Guildenstern exit with some Attendants .
Enter Polonius .
POLONIUS
Th’ ambassadors from Norway , my good lord ,
Are joyfully returned .
KING
Thou still hast been the father of good news .
POLONIUS
Have I , my lord ? I assure my good liege
I hold my duty as I hold my soul ,
Both to my God and to my gracious king ,
And I do think , or else this brain of mine
Hunts not the trail of policy so sure
As it hath used to do , that I have found
The very cause of Hamlet’s lunacy .
KING
O , speak of that ! That do I long to hear .
POLONIUS
Give first admittance to th’ ambassadors .
My news shall be the fruit to that great feast .
KING
Thyself do grace to them and bring them in .
Polonius exits .
He tells me , my dear Gertrude , he hath found
The head and source of all your son’s distemper .
QUEEN
I doubt it is no other but the main —
His father’s death and our o’erhasty marriage .
KING
Well , we shall sift him .
Enter Ambassadors Voltemand and Cornelius with Polonius .
Welcome , my good friends .
Say , Voltemand , what from our brother Norway ?
VOLTEMAND
Most fair return of greetings and desires .
Upon our first , he sent out to suppress
His nephew’s levies , which to him appeared
To be a preparation ’gainst the Polack ,
But , better looked into , he truly found
It was against your Highness . Whereat , grieved
That so his sickness , age , and impotence
Was falsely borne in hand , sends out arrests
On Fortinbras , which he , in brief , obeys ,
Receives rebuke from Norway , and , in fine ,
Makes vow before his uncle never more
To give th’ assay of arms against your Majesty .
Whereon old Norway , overcome with joy ,
Gives him three-score thousand crowns in annual fee
And his commission to employ those soldiers ,
So levied as before , against the Polack ,
With an entreaty , herein further shown ,
He gives a paper .
That it might please you to give quiet pass
Through your dominions for this enterprise ,
On such regards of safety and allowance
As therein are set down .
KING
It likes us well ,
And , at our more considered time , we’ll read ,
Answer , and think upon this business .
Meantime , we thank you for your well-took labor .
Go to your rest . At night we’ll feast together .
Most welcome home !
Voltemand and Cornelius exit .
POLONIUS
This business is well ended .
My liege , and madam , to expostulate
What majesty should be , what duty is ,
Why day is day , night night , and time is time
Were nothing but to waste night , day , and time .
Therefore , since brevity is the soul of wit ,
And tediousness the limbs and outward flourishes ,
I will be brief . Your noble son is mad .
“ Mad ” call I it , for , to define true madness ,
What is ’t but to be nothing else but mad ?
But let that go .
QUEEN
More matter with less art .
POLONIUS
Madam , I swear I use no art at all .
That he’s mad , ’tis true ; ’tis true ’tis pity ,
And pity ’tis ’tis true — a foolish figure ,
But farewell it , for I will use no art .
Mad let us grant him then , and now remains
That we find out the cause of this effect ,
Or , rather say , the cause of this defect ,
For this effect defective comes by cause .
Thus it remains , and the remainder thus .
Perpend .
I have a daughter ( have while she is mine )
Who , in her duty and obedience , mark ,
Hath given me this . Now gather and surmise .
He reads .

To the celestial , and my soul’s idol , the

most beautified Ophelia —

That’s an ill phrase , a vile phrase ; “ beautified ” is a vile phrase . But you shall hear . Thus :

He reads .
In her excellent white bosom , these , etc. —
QUEEN
Came this from Hamlet to her ?
POLONIUS
Good madam , stay awhile . I will be faithful .
He reads the letter .
Doubt thou the stars are fire ,
Doubt that the sun doth move ,
Doubt truth to be a liar ,
But never doubt I love .

O dear Ophelia , I am ill at these numbers . I have not art to reckon my groans , but that I love thee best , O most best , believe it . Adieu .

Thine evermore , most dear lady , whilst this machine is to him , Hamlet .

This , in obedience , hath my daughter shown me ,
And more above , hath his solicitings ,
As they fell out by time , by means , and place ,
All given to mine ear .
KING
But how hath she received his love ?
POLONIUS
What do you think of me ?
KING
As of a man faithful and honorable .
POLONIUS
I would fain prove so . But what might you think ,
When I had seen this hot love on the wing
( As I perceived it , I must tell you that ,
Before my daughter told me ) , what might you ,
Or my dear Majesty your queen here , think ,
If I had played the desk or table-book
Or given my heart a winking , mute and dumb ,
Or looked upon this love with idle sight ?
What might you think ? No , I went round to work ,
And my young mistress thus I did bespeak :
“ Lord Hamlet is a prince , out of thy star .
This must not be . ” And then I prescripts gave her ,
That she should lock herself from his resort ,
Admit no messengers , receive no tokens ;
Which done , she took the fruits of my advice ,
And he , repelled ( a short tale to make ) ,
Fell into a sadness , then into a fast ,
Thence to a watch , thence into a weakness ,
Thence to a lightness , and , by this declension ,
Into the madness wherein now he raves
And all we mourn for .
KING
, to Queen
Do you think ’tis this ?
QUEEN
It may be , very like .
POLONIUS
Hath there been such a time ( I would fain know that )
That I have positively said “ ’Tis so , ”
When it proved otherwise ?
KING
Not that I know .
POLONIUS
Take this from this , if this be otherwise .
If circumstances lead me , I will find
Where truth is hid , though it were hid , indeed ,
Within the center .
KING
How may we try it further ?
POLONIUS
You know sometimes he walks four hours together
Here in the lobby .
QUEEN
So he does indeed .
POLONIUS
At such a time I’ll loose my daughter to him .
To the King .
Be you and I behind an arras then .
Mark the encounter . If he love her not ,
And be not from his reason fall’n thereon ,
Let me be no assistant for a state ,
But keep a farm and carters .
KING
We will try it .
Enter Hamlet reading on a book .
QUEEN
But look where sadly the poor wretch comes reading .
POLONIUS
Away , I do beseech you both , away .
I’ll board him presently . O , give me leave .
King and Queen exit with Attendants .
How does my good Lord Hamlet ?
HAMLET

Well , God-a-mercy .

POLONIUS

Do you know me , my lord ?

HAMLET

Excellent well . You are a fishmonger .

POLONIUS

Not I , my lord .

HAMLET

Then I would you were so honest a man .

POLONIUS

Honest , my lord ?

HAMLET

Ay , sir . To be honest , as this world goes , is to be one man picked out of ten thousand .

POLONIUS

That’s very true , my lord .

HAMLET

For if the sun breed maggots in a dead dog , being a good kissing carrion — Have you a daughter ?

POLONIUS

I have , my lord .

HAMLET

Let her not walk i’ th’ sun . Conception is a blessing , but , as your daughter may conceive , friend , look to ’t .

POLONIUS
, aside

How say you by that ? Still harping on my daughter . Yet he knew me not at first ; he said I was a fishmonger . He is far gone . And truly , in my youth , I suffered much extremity for love , very near this . I’ll speak to him again . — What do you read , my lord ?

HAMLET

Words , words , words .

POLONIUS

What is the matter , my lord ?

HAMLET

Between who ?

POLONIUS

I mean the matter that you read , my lord .

HAMLET

Slanders , sir ; for the satirical rogue says here that old men have gray beards , that their faces are wrinkled , their eyes purging thick amber and plum-tree gum , and that they have a plentiful lack of wit , together with most weak hams ; all which , sir , though I most powerfully and potently believe , yet I hold it not honesty to have it thus set down ; for yourself , sir , shall grow old as I am , if , like a crab , you could go backward .

POLONIUS
, aside

Though this be madness , yet there is method in ’t . — Will you walk out of the air , my lord ?

HAMLET

Into my grave ?

POLONIUS

Indeed , that’s out of the air .
Aside .
How pregnant sometimes his replies are ! A happiness that often madness hits on , which reason and sanity could not so prosperously be delivered of . I will leave him and suddenly contrive the means of meeting between him and my daughter . — My lord , I will take my leave of you .

HAMLET

You cannot , sir , take from me anything that I will more willingly part withal — except my life , except my life , except my life .

POLONIUS

Fare you well , my lord .

HAMLET
, aside

These tedious old fools .

Enter Guildenstern and Rosencrantz .
POLONIUS

You go to seek the Lord Hamlet . There he is .

ROSENCRANTZ
, to Polonius

God save you , sir .

Polonius exits .
GUILDENSTERN

My honored lord .

ROSENCRANTZ

My most dear lord .

HAMLET

My excellent good friends ! How dost thou , Guildenstern ? Ah , Rosencrantz ! Good lads , how do you both ?

ROSENCRANTZ
As the indifferent children of the earth .
GUILDENSTERN
Happy in that we are not overhappy .
On Fortune’s cap , we are not the very button .
HAMLET

Nor the soles of her shoe ?

ROSENCRANTZ

Neither , my lord .

HAMLET

Then you live about her waist , or in the middle of her favors ?

GUILDENSTERN

Faith , her privates we .

HAMLET

In the secret parts of Fortune ? O , most true ! She is a strumpet . What news ?

ROSENCRANTZ

None , my lord , but that the world’s grown honest .

HAMLET

Then is doomsday near . But your news is not true . Let me question more in particular . What have you , my good friends , deserved at the hands of Fortune that she sends you to prison hither ?

GUILDENSTERN

Prison , my lord ?

HAMLET

Denmark’s a prison .

ROSENCRANTZ

Then is the world one .

HAMLET

A goodly one , in which there are many confines , wards , and dungeons , Denmark being one o’ th’ worst .

ROSENCRANTZ

We think not so , my lord .

HAMLET

Why , then , ’tis none to you , for there is nothing either good or bad but thinking makes it so . To me , it is a prison .

ROSENCRANTZ

Why , then , your ambition makes it one . ’Tis too narrow for your mind .

HAMLET

O God , I could be bounded in a nutshell and count myself a king of infinite space , were it not that I have bad dreams .

GUILDENSTERN

Which dreams , indeed , are ambition , for the very substance of the ambitious is merely the shadow of a dream .

HAMLET

A dream itself is but a shadow .

ROSENCRANTZ

Truly , and I hold ambition of so airy and light a quality that it is but a shadow’s shadow .

HAMLET

Then are our beggars bodies , and our monarchs and outstretched heroes the beggars’ shadows . Shall we to th’ court ? For , by my fay , I cannot reason .

ROSENCRANTZ / GUILDENSTERN

We’ll wait upon you .

HAMLET

No such matter . I will not sort you with the rest of my servants , for , to speak to you like an honest man , I am most dreadfully attended . But , in the beaten way of friendship , what make you at Elsinore ?

ROSENCRANTZ

To visit you , my lord , no other occasion .

HAMLET

Beggar that I am , I am even poor in thanks ; but I thank you , and sure , dear friends , my thanks are too dear a halfpenny . Were you not sent for ? Is it your own inclining ? Is it a free visitation ? Come , come , deal justly with me . Come , come ; nay , speak .

GUILDENSTERN

What should we say , my lord ?

HAMLET

Anything but to th’ purpose . You were sent for , and there is a kind of confession in your looks which your modesties have not craft enough to color . I know the good king and queen have sent for you .

ROSENCRANTZ

To what end , my lord ?

HAMLET

That you must teach me . But let me conjure you by the rights of our fellowship , by the consonancy of our youth , by the obligation of our ever-preserved love , and by what more dear a better proposer can charge you withal : be even and direct with me whether you were sent for or no .

ROSENCRANTZ
, to Guildenstern

What say you ?

HAMLET
, aside

Nay , then , I have an eye of you . — If you love me , hold not off .

GUILDENSTERN

My lord , we were sent for .

HAMLET

I will tell you why ; so shall my anticipation prevent your discovery , and your secrecy to the King and Queen molt no feather . I have of late , but wherefore I know not , lost all my mirth , forgone all custom of exercises , and , indeed , it goes so heavily with my disposition that this goodly frame , the Earth , seems to me a sterile promontory ; this most excellent canopy , the air , look you , this brave o’erhanging firmament , this majestical roof , fretted with golden fire — why , it appeareth nothing to me but a foul and pestilent congregation of vapors . What a piece of work is a man , how noble in reason , how infinite in faculties , in form and moving how express and admirable ; in action how like an angel , in apprehension how like a god : the beauty of the world , the paragon of animals — and yet , to me , what is this quintessence of dust ? Man delights not me , no , nor women neither , though by your smiling you seem to say so .

ROSENCRANTZ

My lord , there was no such stuff in my thoughts .

HAMLET

Why did you laugh , then , when I said “ man delights not me ” ?

ROSENCRANTZ

To think , my lord , if you delight not in man , what Lenten entertainment the players shall receive from you . We coted them on the way , and hither are they coming to offer you service .

HAMLET

He that plays the king shall be welcome — his Majesty shall have tribute on me . The adventurous knight shall use his foil and target , the lover shall not sigh gratis , the humorous man shall end his part in peace , the clown shall make those laugh whose lungs are tickle o’ th’ sear , and the lady shall say her mind freely , or the blank verse shall halt for ’t . What players are they ?

ROSENCRANTZ

Even those you were wont to take such delight in , the tragedians of the city .

HAMLET

How chances it they travel ? Their residence , both in reputation and profit , was better both ways .

ROSENCRANTZ

I think their inhibition comes by the means of the late innovation .

HAMLET

Do they hold the same estimation they did when I was in the city ? Are they so followed ?

ROSENCRANTZ

No , indeed are they not .

HAMLET

How comes it ? Do they grow rusty ?

ROSENCRANTZ

Nay , their endeavor keeps in the wonted pace . But there is , sir , an aerie of children , little eyases , that cry out on the top of question and are most tyrannically clapped for ’t . These are now the fashion and so berattle the common stages ( so they call them ) that many wearing rapiers are afraid of goose quills and dare scarce come thither .

HAMLET

What , are they children ? Who maintains ’em ? How are they escoted ? Will they pursue the quality no longer than they can sing ? Will they not say afterwards , if they should grow themselves to common players ( as it is most like , if their means are no better ) , their writers do them wrong to make them exclaim against their own succession ?

ROSENCRANTZ

Faith , there has been much to-do on both sides , and the nation holds it no sin to tar them to controversy . There was for a while no money bid for argument unless the poet and the player went to cuffs in the question .

HAMLET

Is ’t possible ?

GUILDENSTERN

O , there has been much throwing about of brains .

HAMLET

Do the boys carry it away ?

ROSENCRANTZ

Ay , that they do , my lord — Hercules and his load too .

HAMLET

It is not very strange ; for my uncle is King of Denmark , and those that would make mouths at him while my father lived give twenty , forty , fifty , a hundred ducats apiece for his picture in little . ’Sblood , there is something in this more than natural , if philosophy could find it out .

A flourish for the Players .
GUILDENSTERN

There are the players .

HAMLET

Gentlemen , you are welcome to Elsinore . Your hands , come then . Th’ appurtenance of welcome is fashion and ceremony . Let me comply with you in this garb , lest my extent to the players , which , I tell you , must show fairly outwards , should more appear like entertainment than yours . You are welcome . But my uncle-father and aunt-mother are deceived .

GUILDENSTERN

In what , my dear lord ?

HAMLET

I am but mad north-north-west . When the wind is southerly , I know a hawk from a handsaw .

Enter Polonius .
POLONIUS

Well be with you , gentlemen .

HAMLET

Hark you , Guildenstern , and you too — at each ear a hearer ! That great baby you see there is not yet out of his swaddling clouts .

ROSENCRANTZ

Haply he is the second time come to them , for they say an old man is twice a child .

HAMLET

I will prophesy he comes to tell me of the players ; mark it . — You say right , sir , a Monday morning , ’twas then indeed .

POLONIUS

My lord , I have news to tell you .

HAMLET

My lord , I have news to tell you : when Roscius was an actor in Rome —

POLONIUS

The actors are come hither , my lord .

HAMLET

Buzz , buzz .

POLONIUS

Upon my honor —

HAMLET

Then came each actor on his ass .

POLONIUS

The best actors in the world , either for tragedy , comedy , history , pastoral , pastoral-comical , historical-pastoral , tragical-historical , tragical-comical-historical-pastoral , scene individable , or poem unlimited . Seneca cannot be too heavy , nor Plautus too light . For the law of writ and the liberty , these are the only men .

HAMLET

O Jephthah , judge of Israel , what a treasure hadst thou !

POLONIUS

What a treasure had he , my lord ?

HAMLET

Why ,

One fair daughter , and no more ,
The which he lovèd passing well .
POLONIUS
, aside

Still on my daughter .

HAMLET

Am I not i’ th’ right , old Jephthah ?

POLONIUS

If you call me “ Jephthah , ” my lord : I have a daughter that I love passing well .

HAMLET

Nay , that follows not .

POLONIUS

What follows then , my lord ?

HAMLET

Why ,

As by lot , God wot

and then , you know ,

It came to pass , as most like it was —

the first row of the pious chanson will show you more , for look where my abridgment comes .

Enter the Players .

You are welcome , masters ; welcome all . — I am glad to see thee well . — Welcome , good friends . — O my old friend ! Why , thy face is valanced since I saw thee last . Com’st thou to beard me in Denmark ? — What , my young lady and mistress ! By ’r Lady , your Ladyship is nearer to heaven than when I saw you last , by the altitude of a chopine . Pray God your voice , like a piece of uncurrent gold , be not cracked within the ring . Masters , you are all welcome . We’ll e’en to ’t like French falconers , fly at anything we see . We’ll have a speech straight . Come , give us a taste of your quality . Come , a passionate speech .

FIRST PLAYER

What speech , my good lord ?

HAMLET

I heard thee speak me a speech once , but it was never acted , or , if it was , not above once ; for the play , I remember , pleased not the million : ’twas caviary to the general . But it was ( as I received it , and others whose judgments in such matters cried in the top of mine ) an excellent play , well digested in the scenes , set down with as much modesty as cunning . I remember one said there were no sallets in the lines to make the matter savory , nor no matter in the phrase that might indict the author of affection , but called it an honest method , as wholesome as sweet and , by very much , more handsome than fine . One speech in ’t I chiefly loved . ’Twas Aeneas’ tale to Dido , and thereabout of it especially when he speaks of Priam’s slaughter . If it live in your memory , begin at this line — let me see , let me see :

The rugged Pyrrhus , like th’ Hyrcanian beast —

’tis not so ; it begins with Pyrrhus :

The rugged Pyrrhus , he whose sable arms ,
Black as his purpose , did the night resemble
When he lay couchèd in th’ ominous horse ,
Hath now this dread and black complexion smeared
With heraldry more dismal . Head to foot ,
Now is he total gules , horridly tricked
With blood of fathers , mothers , daughters , sons ,
Baked and impasted with the parching streets ,
That lend a tyrannous and a damnèd light
To their lord’s murder . Roasted in wrath and fire ,
And thus o’ersizèd with coagulate gore ,
With eyes like carbuncles , the hellish Pyrrhus
Old grandsire Priam seeks .

So , proceed you .

POLONIUS

’Fore God , my lord , well spoken , with good accent and good discretion .

FIRST PLAYER
Anon he finds him
Striking too short at Greeks . His antique sword ,
Rebellious to his arm , lies where it falls ,
Repugnant to command . Unequal matched ,
Pyrrhus at Priam drives , in rage strikes wide ;
But with the whiff and wind of his fell sword
Th’ unnervèd father falls . Then senseless Ilium ,
Seeming to feel this blow , with flaming top
Stoops to his base , and with a hideous crash
Takes prisoner Pyrrhus’ ear . For lo , his sword ,
Which was declining on the milky head
Of reverend Priam , seemed i’ th’ air to stick .
So as a painted tyrant Pyrrhus stood
And , like a neutral to his will and matter ,
Did nothing .
But as we often see against some storm
A silence in the heavens , the rack stand still ,
The bold winds speechless , and the orb below
As hush as death , anon the dreadful thunder
Doth rend the region ; so , after Pyrrhus’ pause ,
Arousèd vengeance sets him new a-work ,
And never did the Cyclops’ hammers fall
On Mars’s armor , forged for proof eterne ,
With less remorse than Pyrrhus’ bleeding sword
Now falls on Priam .
Out , out , thou strumpet Fortune ! All you gods
In general synod take away her power ,
Break all the spokes and fellies from her wheel ,
And bowl the round nave down the hill of heaven
As low as to the fiends !
POLONIUS

This is too long .

HAMLET

It shall to the barber’s with your beard . — Prithee say on . He’s for a jig or a tale of bawdry , or he sleeps . Say on ; come to Hecuba .

FIRST PLAYER
But who , ah woe , had seen the moblèd queen —
HAMLET

“ The moblèd queen ” ?

POLONIUS

That’s good . “ Moblèd queen ” is good .

FIRST PLAYER
Run barefoot up and down , threat’ning the flames
With bisson rheum , a clout upon that head
Where late the diadem stood , and for a robe ,
About her lank and all o’erteemèd loins
A blanket , in the alarm of fear caught up —
Who this had seen , with tongue in venom steeped ,
’Gainst Fortune’s state would treason have pronounced .
But if the gods themselves did see her then
When she saw Pyrrhus make malicious sport
In mincing with his sword her husband’s limbs ,
The instant burst of clamor that she made
( Unless things mortal move them not at all )
Would have made milch the burning eyes of heaven
And passion in the gods .
POLONIUS

Look whe’er he has not turned his color and has tears in ’s eyes . Prithee , no more .

HAMLET

’Tis well . I’ll have thee speak out the rest of this soon . — Good my lord , will you see the players well bestowed ? Do you hear , let them be well used , for they are the abstract and brief chronicles of the time . After your death you were better have a bad epitaph than their ill report while you live .

POLONIUS

My lord , I will use them according to their desert .

HAMLET

God’s bodykins , man , much better ! Use every man after his desert and who shall ’scape whipping ? Use them after your own honor and dignity . The less they deserve , the more merit is in your bounty . Take them in .

POLONIUS

Come , sirs .

HAMLET

Follow him , friends . We’ll hear a play tomorrow .

As Polonius and Players exit ,
Hamlet speaks to the First Player .

Dost thou hear me , old friend ? Can you play “ The Murder of Gonzago ” ?

FIRST PLAYER

Ay , my lord .

HAMLET

We’ll ha ’t tomorrow night . You could , for a need , study a speech of some dozen or sixteen lines , which I would set down and insert in ’t , could you not ?

FIRST PLAYER

Ay , my lord .

HAMLET

Very well . Follow that lord — and look you mock him not .
First Player exits .
My good friends , I’ll leave you till night . You are welcome to Elsinore .

ROSENCRANTZ

Good my lord .

HAMLET
Ay , so , good-bye to you .
Rosencrantz and Guildenstern exit .
Now I am alone .
O , what a rogue and peasant slave am I !
Is it not monstrous that this player here ,
But in a fiction , in a dream of passion ,
Could force his soul so to his own conceit
That from her working all his visage wanned ,
Tears in his eyes , distraction in his aspect ,
A broken voice , and his whole function suiting
With forms to his conceit — and all for nothing !
For Hecuba !
What’s Hecuba to him , or he to Hecuba ,
That he should weep for her ? What would he do
Had he the motive and the cue for passion
That I have ? He would drown the stage with tears
And cleave the general ear with horrid speech ,
Make mad the guilty and appall the free ,
Confound the ignorant and amaze indeed
The very faculties of eyes and ears . Yet I ,
A dull and muddy-mettled rascal , peak
Like John-a-dreams , unpregnant of my cause ,
And can say nothing — no , not for a king
Upon whose property and most dear life
A damned defeat was made . Am I a coward ?
Who calls me “ villain ” ? breaks my pate across ?
Plucks off my beard and blows it in my face ?
Tweaks me by the nose ? gives me the lie i’ th’ throat
As deep as to the lungs ? Who does me this ?
Ha ! ’Swounds , I should take it ! For it cannot be
But I am pigeon-livered and lack gall
To make oppression bitter , or ere this
I should have fatted all the region kites
With this slave’s offal . Bloody , bawdy villain !
Remorseless , treacherous , lecherous , kindless villain !
O vengeance !
Why , what an ass am I ! This is most brave ,
That I , the son of a dear father murdered ,
Prompted to my revenge by heaven and hell ,
Must , like a whore , unpack my heart with words
And fall a-cursing like a very drab ,
A stallion ! Fie upon ’t ! Foh !
About , my brains ! — Hum , I have heard
That guilty creatures sitting at a play
Have , by the very cunning of the scene ,
Been struck so to the soul that presently
They have proclaimed their malefactions ;
For murder , though it have no tongue , will speak
With most miraculous organ . I’ll have these players
Play something like the murder of my father
Before mine uncle . I’ll observe his looks ;
I’ll tent him to the quick . If he do blench ,
I know my course . The spirit that I have seen
May be a devil , and the devil hath power
T’ assume a pleasing shape ; yea , and perhaps ,
Out of my weakness and my melancholy ,
As he is very potent with such spirits ,
Abuses me to damn me . I’ll have grounds
More relative than this . The play’s the thing
Wherein I’ll catch the conscience of the King .
He exits .

ACT 3

Scene 1

Enter King , Queen , Polonius , Ophelia , Rosencrantz , Guildenstern , and Lords .
KING
And can you by no drift of conference
Get from him why he puts on this confusion ,
Grating so harshly all his days of quiet
With turbulent and dangerous lunacy ?
ROSENCRANTZ
He does confess he feels himself distracted ,
But from what cause he will by no means speak .
GUILDENSTERN
Nor do we find him forward to be sounded ,
But with a crafty madness keeps aloof
When we would bring him on to some confession
Of his true state .
QUEEN
Did he receive you well ?
ROSENCRANTZ
Most like a gentleman .
GUILDENSTERN
But with much forcing of his disposition .
ROSENCRANTZ
Niggard of question , but of our demands
Most free in his reply .
QUEEN
Did you assay him to any pastime ?
ROSENCRANTZ
Madam , it so fell out that certain players
We o’erraught on the way . Of these we told him ,
And there did seem in him a kind of joy
To hear of it . They are here about the court ,
And , as I think , they have already order
This night to play before him .
POLONIUS
’Tis most true ,
And he beseeched me to entreat your Majesties
To hear and see the matter .
KING
With all my heart , and it doth much content me
To hear him so inclined .
Good gentlemen , give him a further edge
And drive his purpose into these delights .
ROSENCRANTZ
We shall , my lord .
Rosencrantz and Guildenstern and Lords exit .
KING
Sweet Gertrude , leave us too ,
For we have closely sent for Hamlet hither ,
That he , as ’twere by accident , may here
Affront Ophelia .
Her father and myself , lawful espials ,
Will so bestow ourselves that , seeing unseen ,
We may of their encounter frankly judge
And gather by him , as he is behaved ,
If ’t be th’ affliction of his love or no
That thus he suffers for .
QUEEN
I shall obey you .
And for your part , Ophelia , I do wish
That your good beauties be the happy cause
Of Hamlet’s wildness . So shall I hope your virtues
Will bring him to his wonted way again ,
To both your honors .
OPHELIA
Madam , I wish it may .
Queen exits .
POLONIUS
Ophelia , walk you here . — Gracious , so please you ,
We will bestow ourselves .
To Ophelia .
Read on this book ,
That show of such an exercise may color
Your loneliness . — We are oft to blame in this
( ’Tis too much proved ) , that with devotion’s visage
And pious action we do sugar o’er
The devil himself .
KING
, aside
O , ’tis too true !
How smart a lash that speech doth give my conscience .
The harlot’s cheek beautied with plast’ring art
Is not more ugly to the thing that helps it
Than is my deed to my most painted word .
O heavy burden !
POLONIUS
I hear him coming . Let’s withdraw , my lord .
They withdraw .
Enter Hamlet .
HAMLET
To be or not to be — that is the question :
Whether ’tis nobler in the mind to suffer
The slings and arrows of outrageous fortune ,
Or to take arms against a sea of troubles
And , by opposing , end them . To die , to sleep —
No more — and by a sleep to say we end
The heartache and the thousand natural shocks
That flesh is heir to — ’tis a consummation
Devoutly to be wished . To die , to sleep —
To sleep , perchance to dream . Ay , there’s the rub ,
For in that sleep of death what dreams may come ,
When we have shuffled off this mortal coil ,
Must give us pause . There’s the respect
That makes calamity of so long life .
For who would bear the whips and scorns of time ,
Th’ oppressor’s wrong , the proud man’s contumely ,
The pangs of despised love , the law’s delay ,
The insolence of office , and the spurns
That patient merit of th’ unworthy takes ,
When he himself might his quietus make
With a bare bodkin ? Who would fardels bear ,
To grunt and sweat under a weary life ,
But that the dread of something after death ,
The undiscovered country from whose bourn
No traveler returns , puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of ?
Thus conscience does make cowards of us all ,
And thus the native hue of resolution
Is sicklied o’er with the pale cast of thought ,
And enterprises of great pitch and moment
With this regard their currents turn awry
And lose the name of action . — Soft you now ,
The fair Ophelia . — Nymph , in thy orisons
Be all my sins remembered .
OPHELIA
Good my lord ,
How does your Honor for this many a day ?
HAMLET
I humbly thank you , well .
OPHELIA
My lord , I have remembrances of yours
That I have longèd long to redeliver .
I pray you now receive them .
HAMLET
No , not I . I never gave you aught .
OPHELIA
My honored lord , you know right well you did ,
And with them words of so sweet breath composed
As made the things more rich . Their perfume lost ,
Take these again , for to the noble mind
Rich gifts wax poor when givers prove unkind .
There , my lord .
HAMLET

Ha , ha , are you honest ?

OPHELIA

My lord ?

HAMLET

Are you fair ?

OPHELIA

What means your Lordship ?

HAMLET

That if you be honest and fair , your honesty should admit no discourse to your beauty .

OPHELIA

Could beauty , my lord , have better commerce than with honesty ?

HAMLET

Ay , truly , for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness . This was sometime a paradox , but now the time gives it proof . I did love you once .

OPHELIA

Indeed , my lord , you made me believe so .

HAMLET

You should not have believed me , for virtue cannot so inoculate our old stock but we shall relish of it . I loved you not .

OPHELIA

I was the more deceived .

HAMLET

Get thee to a nunnery . Why wouldst thou be a breeder of sinners ? I am myself indifferent honest , but yet I could accuse me of such things that it were better my mother had not borne me : I am very proud , revengeful , ambitious , with more offenses at my beck than I have thoughts to put them in , imagination to give them shape , or time to act them in . What should such fellows as I do crawling between earth and heaven ? We are arrant knaves all ; believe none of us . Go thy ways to a nunnery . Where’s your father ?

OPHELIA

At home , my lord .

HAMLET

Let the doors be shut upon him that he may play the fool nowhere but in ’s own house . Farewell .

OPHELIA

O , help him , you sweet heavens !

HAMLET

If thou dost marry , I’ll give thee this plague for thy dowry : be thou as chaste as ice , as pure as snow , thou shalt not escape calumny . Get thee to a nunnery , farewell . Or if thou wilt needs marry , marry a fool , for wise men know well enough what monsters you make of them . To a nunnery , go , and quickly too . Farewell .

OPHELIA

Heavenly powers , restore him !

HAMLET

I have heard of your paintings too , well enough . God hath given you one face , and you make yourselves another . You jig and amble , and you lisp ; you nickname God’s creatures and make your wantonness your ignorance . Go to , I’ll no more on ’t . It hath made me mad . I say we will have no more marriage . Those that are married already , all but one , shall live . The rest shall keep as they are . To a nunnery , go .

He exits .
OPHELIA
O , what a noble mind is here o’erthrown !
The courtier’s , soldier’s , scholar’s , eye , tongue , sword ,
Th’ expectancy and rose of the fair state ,
The glass of fashion and the mold of form ,
Th’ observed of all observers , quite , quite down !
And I , of ladies most deject and wretched ,
That sucked the honey of his musicked vows ,
Now see that noble and most sovereign reason ,
Like sweet bells jangled , out of time and harsh ;
That unmatched form and stature of blown youth
Blasted with ecstasy . O , woe is me
T’ have seen what I have seen , see what I see !
KING
, advancing with Polonius
Love ? His affections do not that way tend ;
Nor what he spake , though it lacked form a little ,
Was not like madness . There’s something in his soul
O’er which his melancholy sits on brood ,
And I do doubt the hatch and the disclose
Will be some danger ; which for to prevent ,
I have in quick determination
Thus set it down : he shall with speed to England
For the demand of our neglected tribute .
Haply the seas , and countries different ,
With variable objects , shall expel
This something-settled matter in his heart ,
Whereon his brains still beating puts him thus
From fashion of himself . What think you on ’t ?
POLONIUS
It shall do well . But yet do I believe
The origin and commencement of his grief
Sprung from neglected love . — How now , Ophelia ?
You need not tell us what Lord Hamlet said ;
We heard it all . — My lord , do as you please ,
But , if you hold it fit , after the play
Let his queen-mother all alone entreat him
To show his grief . Let her be round with him ;
And I’ll be placed , so please you , in the ear
Of all their conference . If she find him not ,
To England send him , or confine him where
Your wisdom best shall think .
KING
It shall be so .
Madness in great ones must not unwatched go .
They exit .

Scene 2

Enter Hamlet and three of the Players .
HAMLET

Speak the speech , I pray you , as I pronounced it to you , trippingly on the tongue ; but if you mouth it , as many of our players do , I had as lief the town-crier spoke my lines . Nor do not saw the air too much with your hand , thus , but use all gently ; for in the very torrent , tempest , and , as I may say , whirlwind of your passion , you must acquire and beget a temperance that may give it smoothness . O , it offends me to the soul to hear a robustious , periwig-pated fellow tear a passion to tatters , to very rags , to split the ears of the groundlings , who for the most part are capable of nothing but inexplicable dumb shows and noise . I would have such a fellow whipped for o’erdoing Termagant . It out-Herods Herod . Pray you , avoid it .

PLAYER

I warrant your Honor .

HAMLET

Be not too tame neither , but let your own discretion be your tutor . Suit the action to the word , the word to the action , with this special observance , that you o’erstep not the modesty of nature . For anything so o’erdone is from the purpose of playing , whose end , both at the first and now , was and is to hold , as ’twere , the mirror up to nature , to show virtue her own feature , scorn her own image , and the very age and body of the time his form and pressure . Now this overdone or come tardy off , though it makes the unskillful laugh , cannot but make the judicious grieve , the censure of the which one must in your allowance o’erweigh a whole theater of others . O , there be players that I have seen play and heard others praise ( and that highly ) , not to speak it profanely , that , neither having th’ accent of Christians nor the gait of Christian , pagan , nor man , have so strutted and bellowed that I have thought some of nature’s journeymen had made men , and not made them well , they imitated humanity so abominably .

PLAYER

I hope we have reformed that indifferently with us , sir .

HAMLET

O , reform it altogether . And let those that play your clowns speak no more than is set down for them , for there be of them that will themselves laugh , to set on some quantity of barren spectators to laugh too , though in the meantime some necessary question of the play be then to be considered . That’s villainous and shows a most pitiful ambition in the fool that uses it . Go make you ready .

Players exit .
Enter Polonius , Guildenstern , and Rosencrantz .

How now , my lord , will the King hear this piece of work ?

POLONIUS

And the Queen too , and that presently .

HAMLET

Bid the players make haste .

Polonius exits .

Will you two help to hasten them ?

ROSENCRANTZ

Ay , my lord .

They exit .
HAMLET

What ho , Horatio !

Enter Horatio .
HORATIO

Here , sweet lord , at your service .

HAMLET
Horatio , thou art e’en as just a man
As e’er my conversation coped withal .
HORATIO
O , my dear lord —
HAMLET
Nay , do not think I flatter ,
For what advancement may I hope from thee
That no revenue hast but thy good spirits
To feed and clothe thee ? Why should the poor be flattered ?
No , let the candied tongue lick absurd pomp
And crook the pregnant hinges of the knee
Where thrift may follow fawning . Dost thou hear ?
Since my dear soul was mistress of her choice
And could of men distinguish , her election
Hath sealed thee for herself . For thou hast been
As one in suffering all that suffers nothing ,
A man that Fortune’s buffets and rewards
Hast ta’en with equal thanks ; and blessed are those
Whose blood and judgment are so well commeddled
That they are not a pipe for Fortune’s finger
To sound what stop she please . Give me that man
That is not passion’s slave , and I will wear him
In my heart’s core , ay , in my heart of heart ,
As I do thee . — Something too much of this . —
There is a play tonight before the King .
One scene of it comes near the circumstance
Which I have told thee of my father’s death .
I prithee , when thou seest that act afoot ,
Even with the very comment of thy soul
Observe my uncle . If his occulted guilt
Do not itself unkennel in one speech ,
It is a damnèd ghost that we have seen ,
And my imaginations are as foul
As Vulcan’s stithy . Give him heedful note ,
For I mine eyes will rivet to his face ,
And , after , we will both our judgments join
In censure of his seeming .
HORATIO
Well , my lord .
If he steal aught the whilst this play is playing
And ’scape detecting , I will pay the theft .
Sound a flourish .
HAMLET

They are coming to the play . I must be idle . Get you a place .

Enter Trumpets and Kettle Drums .
Enter King , Queen , Polonius , Ophelia , Rosencrantz , Guildenstern , and other Lords attendant with the King’s guard carrying torches .
KING

How fares our cousin Hamlet ?

HAMLET

Excellent , i’ faith , of the chameleon’s dish . I eat the air , promise-crammed . You cannot feed capons so .

KING

I have nothing with this answer , Hamlet . These words are not mine .

HAMLET

No , nor mine now .
To Polonius .
My lord , you played once i’ th’ university , you say ?

POLONIUS

That did I , my lord , and was accounted a good actor .

HAMLET

What did you enact ?

POLONIUS

I did enact Julius Caesar . I was killed i’ th’ Capitol . Brutus killed me .

HAMLET

It was a brute part of him to kill so capital a calf there . — Be the players ready ?

ROSENCRANTZ

Ay , my lord . They stay upon your patience .

QUEEN

Come hither , my dear Hamlet , sit by me .

HAMLET

No , good mother . Here’s metal more attractive .

Hamlet takes a place near Ophelia .
POLONIUS
, to the King

Oh , ho ! Do you mark that ?

HAMLET

Lady , shall I lie in your lap ?

OPHELIA

No , my lord .

HAMLET

I mean , my head upon your lap ?

OPHELIA

Ay , my lord .

HAMLET

Do you think I meant country matters ?

OPHELIA

I think nothing , my lord .

HAMLET

That’s a fair thought to lie between maids’ legs .

OPHELIA

What is , my lord ?

HAMLET

Nothing .

OPHELIA

You are merry , my lord .

HAMLET

Who , I ?

OPHELIA

Ay , my lord .

HAMLET

O God , your only jig-maker . What should a man do but be merry ? For look you how cheerfully my mother looks , and my father died within ’s two hours .

OPHELIA

Nay , ’tis twice two months , my lord .

HAMLET

So long ? Nay , then , let the devil wear black , for I’ll have a suit of sables . O heavens , die two months ago , and not forgotten yet ? Then there’s hope a great man’s memory may outlive his life half a year . But , by ’r Lady , he must build churches , then , or else shall he suffer not thinking on , with the hobby-horse , whose epitaph is “ For oh , for oh , the hobby-horse is forgot . ”

The trumpets sounds .
Dumb show follows .
Enter a King and a Queen , very lovingly , the Queen embracing him and he her . She kneels and makes show of protestation unto him . He takes her up and declines his head upon her neck . He lies him down upon a bank of flowers . She , seeing him asleep , leaves him . Anon comes in another man , takes off his crown , kisses it , pours poison in the sleeper’s ears , and leaves him . The Queen returns , finds the King dead , makes passionate action . The poisoner with some three or four come in again , seem to condole with her . The dead body is carried away . The poisoner woos the Queen with gifts . She seems harsh awhile but in the end accepts his love .
Players exit .
OPHELIA

What means this , my lord ?

HAMLET

Marry , this is miching mallecho . It means mischief .

OPHELIA

Belike this show imports the argument of the play .

Enter Prologue .
HAMLET

We shall know by this fellow . The players cannot keep counsel ; they’ll tell all .

OPHELIA

Will he tell us what this show meant ?

HAMLET

Ay , or any show that you will show him . Be not you ashamed to show , he’ll not shame to tell you what it means .

OPHELIA

You are naught , you are naught . I’ll mark the play .

PROLOGUE
For us and for our tragedy ,
Here stooping to your clemency ,
We beg your hearing patiently .
He exits .
HAMLET

Is this a prologue or the posy of a ring ?

OPHELIA

’Tis brief , my lord .

HAMLET

As woman’s love .

Enter the Player King and Queen .
PLAYER KING
Full thirty times hath Phoebus’ cart gone round
Neptune’s salt wash and Tellus’ orbèd ground ,
And thirty dozen moons with borrowed sheen
About the world have times twelve thirties been
Since love our hearts and Hymen did our hands
Unite commutual in most sacred bands .
PLAYER QUEEN
So many journeys may the sun and moon
Make us again count o’er ere love be done !
But woe is me ! You are so sick of late ,
So far from cheer and from your former state ,
That I distrust you . Yet , though I distrust ,
Discomfort you , my lord , it nothing must .
For women fear too much , even as they love ,
And women’s fear and love hold quantity ,
In neither aught , or in extremity .
Now what my love is , proof hath made you know ,
And , as my love is sized , my fear is so :
Where love is great , the littlest doubts are fear ;
Where little fears grow great , great love grows there .
PLAYER KING
Faith , I must leave thee , love , and shortly too .
My operant powers their functions leave to do .
And thou shall live in this fair world behind ,
Honored , beloved ; and haply one as kind
For husband shalt thou —
PLAYER QUEEN
O , confound the rest !
Such love must needs be treason in my breast .
In second husband let me be accurst .
None wed the second but who killed the first .
HAMLET

That’s wormwood !

PLAYER QUEEN
The instances that second marriage move
Are base respects of thrift , but none of love .
A second time I kill my husband dead
When second husband kisses me in bed .
PLAYER KING
I do believe you think what now you speak ,
But what we do determine oft we break .
Purpose is but the slave to memory ,
Of violent birth , but poor validity ,
Which now , the fruit unripe , sticks on the tree
But fall unshaken when they mellow be .
Most necessary ’tis that we forget
To pay ourselves what to ourselves is debt .
What to ourselves in passion we propose ,
The passion ending , doth the purpose lose .
The violence of either grief or joy
Their own enactures with themselves destroy .
Where joy most revels , grief doth most lament ;
Grief joys , joy grieves , on slender accident .
This world is not for aye , nor ’tis not strange
That even our loves should with our fortunes change ;
For ’tis a question left us yet to prove
Whether love lead fortune or else fortune love .
The great man down , you mark his favorite flies ;
The poor , advanced , makes friends of enemies .
And hitherto doth love on fortune tend ,
For who not needs shall never lack a friend ,
And who in want a hollow friend doth try
Directly seasons him his enemy .
But , orderly to end where I begun :
Our wills and fates do so contrary run
That our devices still are overthrown ;
Our thoughts are ours , their ends none of our own .
So think thou wilt no second husband wed ,
But die thy thoughts when thy first lord is dead .
PLAYER QUEEN
Nor Earth to me give food , nor heaven light ,
Sport and repose lock from me day and night ,
To desperation turn my trust and hope ,
An anchor’s cheer in prison be my scope .
Each opposite that blanks the face of joy
Meet what I would have well and it destroy .
Both here and hence pursue me lasting strife ,
If , once a widow , ever I be wife .
HAMLET

If she should break it now !

PLAYER KING
’Tis deeply sworn . Sweet , leave me here awhile .
My spirits grow dull , and fain I would beguile
The tedious day with sleep .
Sleeps .
PLAYER QUEEN
Sleep rock thy brain ,
And never come mischance between us twain .
Player Queen exits .
HAMLET

Madam , how like you this play ?

QUEEN

The lady doth protest too much , methinks .

HAMLET

O , but she’ll keep her word .

KING

Have you heard the argument ? Is there no offense in ’t ?

HAMLET

No , no , they do but jest , poison in jest . No offense i’ th’ world .

KING

What do you call the play ?

HAMLET

“ The Mousetrap . ” Marry , how ? Tropically . This play is the image of a murder done in Vienna . Gonzago is the duke’s name , his wife Baptista . You shall see anon . ’Tis a knavish piece of work , but what of that ? Your Majesty and we that have free souls , it touches us not . Let the galled jade wince ; our withers are unwrung .

Enter Lucianus .

This is one Lucianus , nephew to the king .

OPHELIA

You are as good as a chorus , my lord .

HAMLET

I could interpret between you and your love , if I could see the puppets dallying .

OPHELIA

You are keen , my lord , you are keen .

HAMLET

It would cost you a groaning to take off mine edge .

OPHELIA

Still better and worse .

HAMLET

So you mis-take your husbands . — Begin , murderer . Pox , leave thy damnable faces and begin . Come , the croaking raven doth bellow for revenge .

LUCIANUS
Thoughts black , hands apt , drugs fit , and time agreeing ,
Confederate season , else no creature seeing ,
Thou mixture rank , of midnight weeds collected ,
With Hecate’s ban thrice blasted , thrice infected ,
Thy natural magic and dire property
On wholesome life usurp immediately .
Pours the poison in his ears .
HAMLET

He poisons him i’ th’ garden for his estate . His name’s Gonzago . The story is extant and written in very choice Italian . You shall see anon how the murderer gets the love of Gonzago’s wife .

Claudius rises .
OPHELIA

The King rises .

HAMLET

What , frighted with false fire ?

QUEEN

How fares my lord ?

POLONIUS

Give o’er the play .

KING

Give me some light . Away !

POLONIUS

Lights , lights , lights !

All but Hamlet and Horatio exit .
HAMLET
Why , let the strucken deer go weep ,
The hart ungallèd play .
For some must watch , while some must sleep :
Thus runs the world away .

Would not this , sir , and a forest of feathers ( if the rest of my fortunes turn Turk with me ) with two Provincial roses on my razed shoes , get me a fellowship in a cry of players ?

HORATIO

Half a share .

HAMLET

A whole one , I .

For thou dost know , O Damon dear ,
This realm dismantled was
Of Jove himself , and now reigns here
A very very — pajock .
HORATIO

You might have rhymed .

HAMLET

O good Horatio , I’ll take the ghost’s word for a thousand pound . Didst perceive ?

HORATIO

Very well , my lord .

HAMLET

Upon the talk of the poisoning ?

HORATIO

I did very well note him .

HAMLET

Ah ha ! Come , some music ! Come , the recorders !

For if the King like not the comedy ,
Why , then , belike he likes it not , perdy .

Come , some music !

Enter Rosencrantz and Guildenstern .
GUILDENSTERN

Good my lord , vouchsafe me a word with you .

HAMLET

Sir , a whole history .

GUILDENSTERN

The King , sir —

HAMLET

Ay , sir , what of him ?

GUILDENSTERN

Is in his retirement marvelous distempered .

HAMLET

With drink , sir ?

GUILDENSTERN

No , my lord , with choler .

HAMLET

Your wisdom should show itself more richer to signify this to the doctor , for for me to put him to his purgation would perhaps plunge him into more choler .

GUILDENSTERN

Good my lord , put your discourse into some frame and start not so wildly from my affair .

HAMLET

I am tame , sir . Pronounce .

GUILDENSTERN

The Queen your mother , in most great affliction of spirit , hath sent me to you .

HAMLET

You are welcome .

GUILDENSTERN

Nay , good my lord , this courtesy is not of the right breed . If it shall please you to make me a wholesome answer , I will do your mother’s commandment . If not , your pardon and my return shall be the end of my business .

HAMLET

Sir , I cannot .

ROSENCRANTZ

What , my lord ?

HAMLET

Make you a wholesome answer . My wit’s diseased . But , sir , such answer as I can make , you shall command — or , rather , as you say , my mother . Therefore no more but to the matter . My mother , you say —

ROSENCRANTZ

Then thus she says : your behavior hath struck her into amazement and admiration .

HAMLET

O wonderful son that can so ’stonish a mother ! But is there no sequel at the heels of this mother’s admiration ? Impart .

ROSENCRANTZ

She desires to speak with you in her closet ere you go to bed .

HAMLET

We shall obey , were she ten times our mother . Have you any further trade with us ?

ROSENCRANTZ

My lord , you once did love me .

HAMLET

And do still , by these pickers and stealers .

ROSENCRANTZ

Good my lord , what is your cause of distemper ? You do surely bar the door upon your own liberty if you deny your griefs to your friend .

HAMLET

Sir , I lack advancement .

ROSENCRANTZ

How can that be , when you have the voice of the King himself for your succession in Denmark ?

HAMLET

Ay , sir , but “ While the grass grows ” — the proverb is something musty .

Enter the Players with recorders .

O , the recorders ! Let me see one .

He takes a recorder and turns to Guildenstern .

To withdraw with you : why do you go about to recover the wind of me , as if you would drive me into a toil ?

GUILDENSTERN

O , my lord , if my duty be too bold , my love is too unmannerly .

HAMLET

I do not well understand that . Will you play upon this pipe ?

GUILDENSTERN

My lord , I cannot .

HAMLET

I pray you .

GUILDENSTERN

Believe me , I cannot .

HAMLET

I do beseech you .

GUILDENSTERN

I know no touch of it , my lord .

HAMLET

It is as easy as lying . Govern these ventages with your fingers and thumb , give it breath with your mouth , and it will discourse most eloquent music . Look you , these are the stops .

GUILDENSTERN

But these cannot I command to any utt’rance of harmony . I have not the skill .

HAMLET

Why , look you now , how unworthy a thing you make of me ! You would play upon me , you would seem to know my stops , you would pluck out the heart of my mystery , you would sound me from my lowest note to the top of my compass ; and there is much music , excellent voice , in this little organ , yet cannot you make it speak . ’Sblood , do you think I am easier to be played on than a pipe ? Call me what instrument you will , though you can fret me , you cannot play upon me .

Enter Polonius .

God bless you , sir .

POLONIUS

My lord , the Queen would speak with you , and presently .

HAMLET

Do you see yonder cloud that’s almost in shape of a camel ?

POLONIUS

By th’ Mass , and ’tis like a camel indeed .

HAMLET

Methinks it is like a weasel .

POLONIUS

It is backed like a weasel .

HAMLET

Or like a whale .

POLONIUS

Very like a whale .

HAMLET

Then I will come to my mother by and by .
Aside .
They fool me to the top of my bent . — I will come by and by .

POLONIUS

I will say so .

HAMLET

“ By and by ” is easily said . Leave me , friends .

All but Hamlet exit .
’Tis now the very witching time of night ,
When churchyards yawn and hell itself breathes out
Contagion to this world . Now could I drink hot blood
And do such bitter business as the day
Would quake to look on . Soft , now to my mother .
O heart , lose not thy nature ; let not ever
The soul of Nero enter this firm bosom .
Let me be cruel , not unnatural .
I will speak daggers to her , but use none .
My tongue and soul in this be hypocrites :
How in my words somever she be shent ,
To give them seals never , my soul , consent .
He exits .

Scene 3

Enter King , Rosencrantz , and Guildenstern .
KING
I like him not , nor stands it safe with us
To let his madness range . Therefore prepare you .
I your commission will forthwith dispatch ,
And he to England shall along with you .
The terms of our estate may not endure
Hazard so near ’s as doth hourly grow
Out of his brows .
GUILDENSTERN
We will ourselves provide .
Most holy and religious fear it is
To keep those many many bodies safe
That live and feed upon your Majesty .
ROSENCRANTZ
The single and peculiar life is bound
With all the strength and armor of the mind
To keep itself from noyance , but much more
That spirit upon whose weal depends and rests
The lives of many . The cess of majesty
Dies not alone , but like a gulf doth draw
What’s near it with it ; or it is a massy wheel
Fixed on the summit of the highest mount ,
To whose huge spokes ten thousand lesser things
Are mortised and adjoined , which , when it falls ,
Each small annexment , petty consequence ,
Attends the boist’rous ruin . Never alone
Did the king sigh , but with a general groan .
KING
Arm you , I pray you , to this speedy voyage ,
For we will fetters put about this fear ,
Which now goes too free-footed .
ROSENCRANTZ
We will haste us .
Rosencrantz and Guildenstern exit .
Enter Polonius .
POLONIUS
My lord , he’s going to his mother’s closet .
Behind the arras I’ll convey myself
To hear the process . I’ll warrant she’ll tax him home ;
And , as you said ( and wisely was it said ) ,
’Tis meet that some more audience than a mother ,
Since nature makes them partial , should o’erhear
The speech of vantage . Fare you well , my liege .
I’ll call upon you ere you go to bed
And tell you what I know .
KING
Thanks , dear my lord .
Polonius exits .
O , my offense is rank , it smells to heaven ;
It hath the primal eldest curse upon ’t ,
A brother’s murder . Pray can I not ,
Though inclination be as sharp as will .
My stronger guilt defeats my strong intent ,
And , like a man to double business bound ,
I stand in pause where I shall first begin
And both neglect . What if this cursèd hand
Were thicker than itself with brother’s blood ?
Is there not rain enough in the sweet heavens
To wash it white as snow ? Whereto serves mercy
But to confront the visage of offense ?
And what’s in prayer but this twofold force ,
To be forestallèd ere we come to fall ,
Or pardoned being down ? Then I’ll look up .
My fault is past . But , O , what form of prayer
Can serve my turn ? “ Forgive me my foul murder ” ?
That cannot be , since I am still possessed
Of those effects for which I did the murder :
My crown , mine own ambition , and my queen .
May one be pardoned and retain th’ offense ?
In the corrupted currents of this world ,
Offense’s gilded hand may shove by justice ,
And oft ’tis seen the wicked prize itself
Buys out the law . But ’tis not so above :
There is no shuffling ; there the action lies
In his true nature , and we ourselves compelled ,
Even to the teeth and forehead of our faults ,
To give in evidence . What then ? What rests ?
Try what repentance can . What can it not ?
Yet what can it , when one cannot repent ?
O wretched state ! O bosom black as death !
O limèd soul , that , struggling to be free ,
Art more engaged ! Help , angels ! Make assay .
Bow , stubborn knees , and heart with strings of steel
Be soft as sinews of the newborn babe .
All may be well .
He kneels .
Enter Hamlet .
HAMLET
Now might I do it pat , now he is a-praying ,
And now I’ll do ’t .
He draws his sword .
And so he goes to heaven ,
And so am I revenged . That would be scanned :
A villain kills my father , and for that ,
I , his sole son , do this same villain send
To heaven .
Why , this is hire and salary , not revenge .
He took my father grossly , full of bread ,
With all his crimes broad blown , as flush as May ;
And how his audit stands who knows save heaven .
But in our circumstance and course of thought
’Tis heavy with him . And am I then revenged
To take him in the purging of his soul ,
When he is fit and seasoned for his passage ?
No .
Up sword , and know thou a more horrid hent .
He sheathes his sword .
When he is drunk asleep , or in his rage ,
Or in th’ incestuous pleasure of his bed ,
At game , a-swearing , or about some act
That has no relish of salvation in ’t —
Then trip him , that his heels may kick at heaven ,
And that his soul may be as damned and black
As hell , whereto it goes . My mother stays .
This physic but prolongs thy sickly days .
Hamlet exits .
KING
, rising
My words fly up , my thoughts remain below ;
Words without thoughts never to heaven go .
He exits .

Scene 4

Enter Queen and Polonius .
POLONIUS
He will come straight . Look you lay home to him .
Tell him his pranks have been too broad to bear with
And that your Grace hath screened and stood between
Much heat and him . I’ll silence me even here .
Pray you , be round with him .
HAMLET
, within

Mother , mother , mother !

QUEEN

I’ll warrant you . Fear me not . Withdraw , I hear him coming .

Polonius hides behind the arras .
Enter Hamlet .
HAMLET

Now , mother , what’s the matter ?

QUEEN
Hamlet , thou hast thy father much offended .
HAMLET
Mother , you have my father much offended .
QUEEN
Come , come , you answer with an idle tongue .
HAMLET
Go , go , you question with a wicked tongue .
QUEEN
Why , how now , Hamlet ?
HAMLET
What’s the matter now ?
QUEEN
Have you forgot me ?
HAMLET
No , by the rood , not so .
You are the Queen , your husband’s brother’s wife ,
And ( would it were not so ) you are my mother .
QUEEN
Nay , then I’ll set those to you that can speak .
HAMLET
Come , come , and sit you down ; you shall not budge .
You go not till I set you up a glass
Where you may see the inmost part of you .
QUEEN
What wilt thou do ? Thou wilt not murder me ?
Help , ho !
POLONIUS
, behind the arras
What ho ! Help !
HAMLET
How now , a rat ? Dead for a ducat , dead .
He kills Polonius by thrusting a rapier through the arras .
POLONIUS
, behind the arras
O , I am slain !
QUEEN
O me , what hast thou done ?
HAMLET
Nay , I know not . Is it the King ?
QUEEN
O , what a rash and bloody deed is this !
HAMLET
A bloody deed — almost as bad , good mother ,
As kill a king and marry with his brother .
QUEEN
As kill a king ?
HAMLET
Ay , lady , it was my word .
He pulls Polonius’ body from behind the arras .
Thou wretched , rash , intruding fool , farewell .
I took thee for thy better . Take thy fortune .
Thou find’st to be too busy is some danger .
To Queen .
Leave wringing of your hands . Peace , sit you down ,
And let me wring your heart ; for so I shall
If it be made of penetrable stuff ,
If damnèd custom have not brazed it so
That it be proof and bulwark against sense .
QUEEN
What have I done , that thou dar’st wag thy tongue
In noise so rude against me ?
HAMLET
Such an act
That blurs the grace and blush of modesty ,
Calls virtue hypocrite , takes off the rose
From the fair forehead of an innocent love
And sets a blister there , makes marriage vows
As false as dicers’ oaths — O , such a deed
As from the body of contraction plucks
The very soul , and sweet religion makes
A rhapsody of words ! Heaven’s face does glow
O’er this solidity and compound mass
With heated visage , as against the doom ,
Is thought-sick at the act .
QUEEN
Ay me , what act
That roars so loud and thunders in the index ?
HAMLET
Look here upon this picture and on this ,
The counterfeit presentment of two brothers .
See what a grace was seated on this brow ,
Hyperion’s curls , the front of Jove himself ,
An eye like Mars’ to threaten and command ,
A station like the herald Mercury
New-lighted on a heaven-kissing hill ,
A combination and a form indeed
Where every god did seem to set his seal
To give the world assurance of a man .
This was your husband . Look you now what follows .
Here is your husband , like a mildewed ear
Blasting his wholesome brother . Have you eyes ?
Could you on this fair mountain leave to feed
And batten on this moor ? Ha ! Have you eyes ?
You cannot call it love , for at your age
The heyday in the blood is tame , it’s humble
And waits upon the judgment ; and what judgment
Would step from this to this ? Sense sure you have ,
Else could you not have motion ; but sure that sense
Is apoplexed ; for madness would not err ,
Nor sense to ecstasy was ne’er so thralled ,
But it reserved some quantity of choice
To serve in such a difference . What devil was ’t
That thus hath cozened you at hoodman-blind ?
Eyes without feeling , feeling without sight ,
Ears without hands or eyes , smelling sans all ,
Or but a sickly part of one true sense
Could not so mope . O shame , where is thy blush ?
Rebellious hell ,
If thou canst mutine in a matron’s bones ,
To flaming youth let virtue be as wax
And melt in her own fire . Proclaim no shame
When the compulsive ardor gives the charge ,
Since frost itself as actively doth burn ,
And reason panders will .
QUEEN
O Hamlet , speak no more !
Thou turn’st my eyes into my very soul ,
And there I see such black and grainèd spots
As will not leave their tinct .
HAMLET
Nay , but to live
In the rank sweat of an enseamèd bed ,
Stewed in corruption , honeying and making love
Over the nasty sty !
QUEEN
O , speak to me no more !
These words like daggers enter in my ears .
No more , sweet Hamlet !
HAMLET
A murderer and a villain ,
A slave that is not twentieth part the tithe
Of your precedent lord ; a vice of kings ,
A cutpurse of the empire and the rule ,
That from a shelf the precious diadem stole
And put it in his pocket —
QUEEN
No more !
HAMLET
A king of shreds and patches —
Enter Ghost .
Save me and hover o’er me with your wings ,
You heavenly guards ! — What would your gracious figure ?
QUEEN
Alas , he’s mad .
HAMLET
Do you not come your tardy son to chide ,
That , lapsed in time and passion , lets go by
Th’ important acting of your dread command ?
O , say !
GHOST
Do not forget . This visitation
Is but to whet thy almost blunted purpose .
But look , amazement on thy mother sits .
O , step between her and her fighting soul .
Conceit in weakest bodies strongest works .
Speak to her , Hamlet .
HAMLET
How is it with you , lady ?
QUEEN
Alas , how is ’t with you ,
That you do bend your eye on vacancy
And with th’ incorporal air do hold discourse ?
Forth at your eyes your spirits wildly peep ,
And , as the sleeping soldiers in th’ alarm ,
Your bedded hair , like life in excrements ,
Start up and stand an end . O gentle son ,
Upon the heat and flame of thy distemper
Sprinkle cool patience ! Whereon do you look ?
HAMLET
On him , on him ! Look you how pale he glares .
His form and cause conjoined , preaching to stones ,
Would make them capable .
To the Ghost .
Do not look upon me ,
Lest with this piteous action you convert
My stern effects . Then what I have to do
Will want true color — tears perchance for blood .
QUEEN
To whom do you speak this ?
HAMLET
Do you see nothing there ?
QUEEN
Nothing at all ; yet all that is I see .
HAMLET
Nor did you nothing hear ?
QUEEN
No , nothing but ourselves .
HAMLET
Why , look you there , look how it steals away !
My father , in his habit as he lived !
Look where he goes even now out at the portal !
Ghost exits .
QUEEN
This is the very coinage of your brain .
This bodiless creation ecstasy
Is very cunning in .
HAMLET
Ecstasy ?
My pulse as yours doth temperately keep time
And makes as healthful music . It is not madness
That I have uttered . Bring me to the test ,
And I the matter will reword , which madness
Would gambol from . Mother , for love of grace ,
Lay not that flattering unction to your soul
That not your trespass but my madness speaks .
It will but skin and film the ulcerous place ,
Whiles rank corruption , mining all within ,
Infects unseen . Confess yourself to heaven ,
Repent what’s past , avoid what is to come ,
And do not spread the compost on the weeds
To make them ranker . Forgive me this my virtue ,
For , in the fatness of these pursy times ,
Virtue itself of vice must pardon beg ,
Yea , curb and woo for leave to do him good .
QUEEN
O Hamlet , thou hast cleft my heart in twain !
HAMLET
O , throw away the worser part of it ,
And live the purer with the other half !
Good night . But go not to my uncle’s bed .
Assume a virtue if you have it not .
That monster , custom , who all sense doth eat ,
Of habits devil , is angel yet in this ,
That to the use of actions fair and good
He likewise gives a frock or livery
That aptly is put on . Refrain tonight ,
And that shall lend a kind of easiness
To the next abstinence , the next more easy ;
For use almost can change the stamp of nature
And either the devil or throw him out
With wondrous potency . Once more , good night ,
And , when you are desirous to be blest ,
I’ll blessing beg of you . For this same lord
Pointing to Polonius .
I do repent ; but heaven hath pleased it so
To punish me with this and this with me ,
That I must be their scourge and minister .
I will bestow him and will answer well
The death I gave him . So , again , good night .
I must be cruel only to be kind .
This bad begins , and worse remains behind .
One word more , good lady .
QUEEN
What shall I do ?
HAMLET
Not this by no means that I bid you do :
Let the bloat king tempt you again to bed ,
Pinch wanton on your cheek , call you his mouse ,
And let him , for a pair of reechy kisses
Or paddling in your neck with his damned fingers ,
Make you to ravel all this matter out
That I essentially am not in madness ,
But mad in craft . ’Twere good you let him know ,
For who that’s but a queen , fair , sober , wise ,
Would from a paddock , from a bat , a gib ,
Such dear concernings hide ? Who would do so ?
No , in despite of sense and secrecy ,
Unpeg the basket on the house’s top ,
Let the birds fly , and like the famous ape ,
To try conclusions , in the basket creep
And break your own neck down .
QUEEN
Be thou assured , if words be made of breath
And breath of life , I have no life to breathe
What thou hast said to me .
HAMLET
I must to England , you know that .
QUEEN
Alack ,
I had forgot ! ’Tis so concluded on .
HAMLET
There’s letters sealed ; and my two schoolfellows ,
Whom I will trust as I will adders fanged ,
They bear the mandate ; they must sweep my way
And marshal me to knavery . Let it work ,
For ’tis the sport to have the enginer
Hoist with his own petard ; and ’t shall go hard
But I will delve one yard below their mines
And blow them at the moon . O , ’tis most sweet
When in one line two crafts directly meet .
This man shall set me packing .
I’ll lug the guts into the neighbor room .
Mother , good night indeed . This counselor
Is now most still , most secret , and most grave ,
Who was in life a foolish prating knave . —
Come , sir , to draw toward an end with you . —
Good night , mother .
They exit , Hamlet tugging in Polonius .

ACT 4

Scene 1

Enter King and Queen , with Rosencrantz and Guildenstern .
KING
There’s matter in these sighs ; these profound heaves
You must translate ; ’tis fit we understand them .
Where is your son ?
QUEEN
Bestow this place on us a little while .
Rosencrantz and Guildenstern exit .
Ah , mine own lord , what have I seen tonight !
KING
What , Gertrude ? How does Hamlet ?
QUEEN
Mad as the sea and wind when both contend
Which is the mightier . In his lawless fit ,
Behind the arras hearing something stir ,
Whips out his rapier , cries “ A rat , a rat , ”
And in this brainish apprehension kills
The unseen good old man .
KING
O heavy deed !
It had been so with us , had we been there .
His liberty is full of threats to all —
To you yourself , to us , to everyone .
Alas , how shall this bloody deed be answered ?
It will be laid to us , whose providence
Should have kept short , restrained , and out of haunt
This mad young man . But so much was our love ,
We would not understand what was most fit ,
But , like the owner of a foul disease ,
To keep it from divulging , let it feed
Even on the pith of life . Where is he gone ?
QUEEN
To draw apart the body he hath killed ,
O’er whom his very madness , like some ore
Among a mineral of metals base ,
Shows itself pure : he weeps for what is done .
KING
O Gertrude , come away !
The sun no sooner shall the mountains touch
But we will ship him hence ; and this vile deed
We must with all our majesty and skill
Both countenance and excuse . — Ho , Guildenstern !
Enter Rosencrantz and Guildenstern .
Friends both , go join you with some further aid .
Hamlet in madness hath Polonius slain ,
And from his mother’s closet hath he dragged him .
Go seek him out , speak fair , and bring the body
Into the chapel . I pray you , haste in this .
Rosencrantz and Guildenstern exit .
Come , Gertrude , we’ll call up our wisest friends
And let them know both what we mean to do
And what’s untimely done .
Whose whisper o’er the world’s diameter ,
As level as the cannon to his blank
Transports his poisoned shot , may miss our name
And hit the woundless air . O , come away !
My soul is full of discord and dismay .
They exit .

Scene 2

Enter Hamlet .
HAMLET

Safely stowed .

GENTLEMEN
, within

Hamlet ! Lord Hamlet !

HAMLET

But soft , what noise ? Who calls on Hamlet ? O , here they come .

Enter Rosencrantz , Guildenstern , and others .
ROSENCRANTZ
What have you done , my lord , with the dead body ?
HAMLET
Compounded it with dust , whereto ’tis kin .
ROSENCRANTZ
Tell us where ’tis , that we may take it thence
And bear it to the chapel .
HAMLET

Do not believe it .

ROSENCRANTZ

Believe what ?

HAMLET

That I can keep your counsel and not mine own . Besides , to be demanded of a sponge , what replication should be made by the son of a king ?

ROSENCRANTZ

Take you me for a sponge , my lord ?

HAMLET

Ay , sir , that soaks up the King’s countenance , his rewards , his authorities . But such officers do the King best service in the end . He keeps them like an ape an apple in the corner of his jaw , first mouthed , to be last swallowed . When he needs what you have gleaned , it is but squeezing you , and , sponge , you shall be dry again .

ROSENCRANTZ

I understand you not , my lord .

HAMLET

I am glad of it . A knavish speech sleeps in a foolish ear .

ROSENCRANTZ

My lord , you must tell us where the body is and go with us to the King .

HAMLET

The body is with the King , but the King is not with the body . The King is a thing —

GUILDENSTERN

A “ thing , ” my lord ?

HAMLET

Of nothing . Bring me to him . Hide fox , and all after !

They exit .

Scene 3

Enter King and two or three .
KING
I have sent to seek him and to find the body .
How dangerous is it that this man goes loose !
Yet must not we put the strong law on him .
He’s loved of the distracted multitude ,
Who like not in their judgment , but their eyes ;
And , where ’tis so , th’ offender’s scourge is weighed ,
But never the offense . To bear all smooth and even ,
This sudden sending him away must seem
Deliberate pause . Diseases desperate grown
By desperate appliance are relieved
Or not at all .
Enter Rosencrantz .
How now , what hath befallen ?
ROSENCRANTZ
Where the dead body is bestowed , my lord ,
We cannot get from him .
KING
But where is he ?
ROSENCRANTZ
Without , my lord ; guarded , to know your pleasure .
KING
Bring him before us .
ROSENCRANTZ
Ho ! Bring in the lord .
They enter with Hamlet .
KING

Now , Hamlet , where’s Polonius ?

HAMLET

At supper .

KING

At supper where ?

HAMLET

Not where he eats , but where he is eaten . A certain convocation of politic worms are e’en at him . Your worm is your only emperor for diet . We fat all creatures else to fat us , and we fat ourselves for maggots . Your fat king and your lean beggar is but variable service — two dishes but to one table . That’s the end .

KING

Alas , alas !

HAMLET

A man may fish with the worm that hath eat of a king and eat of the fish that hath fed of that worm .

KING

What dost thou mean by this ?

HAMLET

Nothing but to show you how a king may go a progress through the guts of a beggar .

KING

Where is Polonius ?

HAMLET

In heaven . Send thither to see . If your messenger find him not there , seek him i’ th’ other place yourself . But if , indeed , you find him not within this month , you shall nose him as you go up the stairs into the lobby .

KING
, to Attendants .

Go , seek him there .

HAMLET

He will stay till you come .

Attendants exit .
KING
Hamlet , this deed , for thine especial safety
( Which we do tender , as we dearly grieve
For that which thou hast done ) must send thee hence
With fiery quickness . Therefore prepare thyself .
The bark is ready , and the wind at help ,
Th’ associates tend , and everything is bent
For England .
HAMLET
For England ?
KING
Ay , Hamlet .
HAMLET
Good .
KING
So is it , if thou knew’st our purposes .
HAMLET
I see a cherub that sees them . But come , for England .
Farewell , dear mother .
KING
Thy loving father , Hamlet .
HAMLET
My mother . Father and mother is man and wife ,
Man and wife is one flesh , and so , my mother . —
Come , for England .
He exits .
KING
Follow him at foot ; tempt him with speed aboard .
Delay it not . I’ll have him hence tonight .
Away , for everything is sealed and done
That else leans on th’ affair . Pray you , make haste .
All but the King exit .
And England , if my love thou hold’st at aught
( As my great power thereof may give thee sense ,
Since yet thy cicatrice looks raw and red
After the Danish sword , and thy free awe
Pays homage to us ) , thou mayst not coldly set
Our sovereign process , which imports at full ,
By letters congruing to that effect ,
The present death of Hamlet . Do it , England ,
For like the hectic in my blood he rages ,
And thou must cure me . Till I know ’tis done ,
Howe’er my haps , my joys will ne’er begin .
He exits .

Scene 4

Enter Fortinbras with his army over the stage .
FORTINBRAS
Go , Captain , from me greet the Danish king .
Tell him that by his license Fortinbras
Craves the conveyance of a promised march
Over his kingdom . You know the rendezvous .
If that his Majesty would aught with us ,
We shall express our duty in his eye ;
And let him know so .
CAPTAIN
I will do ’t , my lord .
FORTINBRAS
Go softly on .
All but the Captain exit .
Enter Hamlet , Rosencrantz , Guildenstern , and others .
HAMLET
Good sir , whose powers are these ?
CAPTAIN
They are of Norway , sir .
HAMLET
How purposed , sir , I pray you ?
CAPTAIN
Against some part of Poland .
HAMLET
Who commands them , sir ?
CAPTAIN
The nephew to old Norway , Fortinbras .
HAMLET
Goes it against the main of Poland , sir ,
Or for some frontier ?
CAPTAIN
Truly to speak , and with no addition ,
We go to gain a little patch of ground
That hath in it no profit but the name .
To pay five ducats , five , I would not farm it ;
Nor will it yield to Norway or the Pole
A ranker rate , should it be sold in fee .
HAMLET
Why , then , the Polack never will defend it .
CAPTAIN
Yes , it is already garrisoned .
HAMLET
Two thousand souls and twenty thousand ducats
Will not debate the question of this straw .
This is th’ impostume of much wealth and peace ,
That inward breaks and shows no cause without
Why the man dies . — I humbly thank you , sir .
CAPTAIN
God be wi’ you , sir .
He exits .
ROSENCRANTZ
Will ’t please you go , my lord ?
HAMLET
I’ll be with you straight . Go a little before .
All but Hamlet exit .
How all occasions do inform against me
And spur my dull revenge . What is a man
If his chief good and market of his time
Be but to sleep and feed ? A beast , no more .
Sure He that made us with such large discourse ,
Looking before and after , gave us not
That capability and godlike reason
To fust in us unused . Now whether it be
Bestial oblivion or some craven scruple
Of thinking too precisely on th’ event
( A thought which , quartered , hath but one part wisdom
And ever three parts coward ) , I do not know
Why yet I live to say “ This thing’s to do , ”
Sith I have cause , and will , and strength , and means
To do ’t . Examples gross as Earth exhort me :
Witness this army of such mass and charge ,
Led by a delicate and tender prince ,
Whose spirit with divine ambition puffed
Makes mouths at the invisible event ,
Exposing what is mortal and unsure
To all that fortune , death , and danger dare ,
Even for an eggshell . Rightly to be great
Is not to stir without great argument ,
But greatly to find quarrel in a straw
When honor’s at the stake . How stand I , then ,
That have a father killed , a mother stained ,
Excitements of my reason and my blood ,
And let all sleep , while to my shame I see
The imminent death of twenty thousand men
That for a fantasy and trick of fame
Go to their graves like beds , fight for a plot
Whereon the numbers cannot try the cause ,
Which is not tomb enough and continent
To hide the slain ? O , from this time forth
My thoughts be bloody or be nothing worth !
He exits .

Scene 5

Enter Horatio , Queen , and a Gentleman .
QUEEN
I will not speak with her .
GENTLEMAN
She is importunate ,
Indeed distract ; her mood will needs be pitied .
QUEEN
What would she have ?
GENTLEMAN
She speaks much of her father , says she hears
There’s tricks i’ th’ world , and hems , and beats her heart ,
Spurns enviously at straws , speaks things in doubt
That carry but half sense . Her speech is nothing ,
Yet the unshapèd use of it doth move
The hearers to collection . They aim at it
And botch the words up fit to their own thoughts ;
Which , as her winks and nods and gestures yield them ,
Indeed would make one think there might be thought ,
Though nothing sure , yet much unhappily .
HORATIO
’Twere good she were spoken with , for she may strew
Dangerous conjectures in ill-breeding minds .
QUEEN
Let her come in .
Gentleman exits .
Aside .
To my sick soul ( as sin’s true nature is ) ,
Each toy seems prologue to some great amiss .
So full of artless jealousy is guilt ,
It spills itself in fearing to be spilt .
Enter Ophelia distracted .
OPHELIA
Where is the beauteous Majesty of Denmark ?
QUEEN
How now , Ophelia ?
OPHELIA
sings
How should I your true love know
From another one ?
By his cockle hat and staff
And his sandal shoon .
QUEEN
Alas , sweet lady , what imports this song ?
OPHELIA
Say you ? Nay , pray you , mark .
Sings .
He is dead and gone , lady ,
He is dead and gone ;
At his head a grass-green turf ,
At his heels a stone .
Oh , ho !
QUEEN
Nay , but Ophelia —
OPHELIA
Pray you , mark .
Sings .
White his shroud as the mountain snow —
Enter King .
QUEEN
Alas , look here , my lord .
OPHELIA
sings
Larded all with sweet flowers ;
Which bewept to the ground did not go
With true-love showers .
KING

How do you , pretty lady ?

OPHELIA

Well , God dild you . They say the owl was a baker’s daughter . Lord , we know what we are but know not what we may be . God be at your table .

KING

Conceit upon her father .

OPHELIA

Pray let’s have no words of this , but when they ask you what it means , say you this :

Sings .
Tomorrow is Saint Valentine’s day ,
All in the morning betime ,
And I a maid at your window ,
To be your Valentine .
Then up he rose and donned his clothes
And dupped the chamber door ,
Let in the maid , that out a maid
Never departed more .
KING
Pretty Ophelia —
OPHELIA
Indeed , without an oath , I’ll make an end on ’t :
Sings .
By Gis and by Saint Charity ,
Alack and fie for shame ,
Young men will do ’t , if they come to ’t ;
By Cock , they are to blame .
Quoth she “ Before you tumbled me ,
You promised me to wed . ”
He answers :
“ So would I ’a done , by yonder sun ,
An thou hadst not come to my bed . ”
KING

How long hath she been thus ?

OPHELIA

I hope all will be well . We must be patient , but I cannot choose but weep to think they would lay him i’ th’ cold ground . My brother shall know of it . And so I thank you for your good counsel . Come , my coach ! Good night , ladies , good night , sweet ladies , good night , good night .

She exits .
KING
Follow her close ; give her good watch , I pray you .
Horatio exits .
O , this is the poison of deep grief . It springs
All from her father’s death , and now behold !
O Gertrude , Gertrude ,
When sorrows come , they come not single spies ,
But in battalions : first , her father slain ;
Next , your son gone , and he most violent author
Of his own just remove ; the people muddied ,
Thick , and unwholesome in their thoughts and whispers
For good Polonius’ death , and we have done but greenly
In hugger-mugger to inter him ; poor Ophelia
Divided from herself and her fair judgment ,
Without the which we are pictures or mere beasts ;
Last , and as much containing as all these ,
Her brother is in secret come from France ,
Feeds on his wonder , keeps himself in clouds ,
And wants not buzzers to infect his ear
With pestilent speeches of his father’s death ,
Wherein necessity , of matter beggared ,
Will nothing stick our person to arraign
In ear and ear . O , my dear Gertrude , this ,
Like to a murd’ring piece , in many places
Gives me superfluous death .
A noise within .
QUEEN
Alack , what noise is this ?
KING
Attend !
Where is my Switzers ? Let them guard the door .
Enter a Messenger .
What is the matter ?
MESSENGER
Save yourself , my lord .
The ocean , overpeering of his list ,
Eats not the flats with more impiteous haste
Than young Laertes , in a riotous head ,
O’erbears your officers . The rabble call him “ lord , ”
And , as the world were now but to begin ,
Antiquity forgot , custom not known ,
The ratifiers and props of every word ,
They cry “ Choose we , Laertes shall be king ! ”
Caps , hands , and tongues applaud it to the clouds ,
“ Laertes shall be king ! Laertes king ! ”
A noise within .
QUEEN
How cheerfully on the false trail they cry .
O , this is counter , you false Danish dogs !
KING
The doors are broke .
Enter Laertes with others .
LAERTES
Where is this king ? — Sirs , stand you all without .
ALL
No , let’s come in !
LAERTES
I pray you , give me leave .
ALL
We will , we will .
LAERTES
I thank you . Keep the door .
Followers exit .
O , thou vile king ,
Give me my father !
QUEEN
Calmly , good Laertes .
LAERTES
That drop of blood that’s calm proclaims me bastard ,
Cries “ cuckold ” to my father , brands the harlot
Even here between the chaste unsmirchèd brow
Of my true mother .
KING
What is the cause , Laertes ,
That thy rebellion looks so giant-like ? —
Let him go , Gertrude . Do not fear our person .
There’s such divinity doth hedge a king
That treason can but peep to what it would ,
Acts little of his will . — Tell me , Laertes ,
Why thou art thus incensed . — Let him go , Gertrude . —
Speak , man .
LAERTES
Where is my father ?
KING
Dead .
QUEEN
But not by him .
KING
Let him demand his fill .
LAERTES
How came he dead ? I’ll not be juggled with .
To hell , allegiance ! Vows , to the blackest devil !
Conscience and grace , to the profoundest pit !
I dare damnation . To this point I stand ,
That both the worlds I give to negligence ,
Let come what comes , only I’ll be revenged
Most throughly for my father .
KING
Who shall stay you ?
LAERTES
My will , not all the world .
And for my means , I’ll husband them so well
They shall go far with little .
KING
Good Laertes ,
If you desire to know the certainty
Of your dear father , is ’t writ in your revenge
That , swoopstake , you will draw both friend and foe ,
Winner and loser ?
LAERTES
None but his enemies .
KING
Will you know them , then ?
LAERTES
To his good friends thus wide I’ll ope my arms
And , like the kind life-rend’ring pelican ,
Repast them with my blood .
KING
Why , now you speak
Like a good child and a true gentleman .
That I am guiltless of your father’s death
And am most sensibly in grief for it ,
It shall as level to your judgment ’pear
As day does to your eye .
A noise within :
“ Let her come in ! ”
LAERTES
How now , what noise is that ?
Enter Ophelia .
O heat , dry up my brains ! Tears seven times salt
Burn out the sense and virtue of mine eye !
By heaven , thy madness shall be paid with weight
Till our scale turn the beam ! O rose of May ,
Dear maid , kind sister , sweet Ophelia !
O heavens , is ’t possible a young maid’s wits
Should be as mortal as an old man’s life ?
Nature is fine in love , and , where ’tis fine ,
It sends some precious instance of itself
After the thing it loves .
OPHELIA
sings
They bore him barefaced on the bier ,
Hey non nonny , nonny , hey nonny ,
And in his grave rained many a tear .
Fare you well , my dove .
LAERTES
Hadst thou thy wits and didst persuade revenge ,
It could not move thus .
OPHELIA

You must sing “ A-down a-down ” — and you “ Call him a-down-a . ” — O , how the wheel becomes it ! It is the false steward that stole his master’s daughter .

LAERTES

This nothing’s more than matter .

OPHELIA

There’s rosemary , that’s for remembrance . Pray you , love , remember . And there is pansies , that’s for thoughts .

LAERTES

A document in madness : thoughts and remembrance fitted .

OPHELIA

There’s fennel for you , and columbines . There’s rue for you , and here’s some for me ; we may call it herb of grace o’ Sundays . You must wear your rue with a difference . There’s a daisy . I would give you some violets , but they withered all when my father died . They say he made a good end .

Sings .
For bonny sweet Robin is all my joy .
LAERTES
Thought and afflictions , passion , hell itself
She turns to favor and to prettiness .
OPHELIA
sings
And will he not come again ?
And will he not come again ?
No , no , he is dead .
Go to thy deathbed .
He never will come again .
His beard was as white as snow ,
All flaxen was his poll .
He is gone , he is gone ,
And we cast away moan .
God ’a mercy on his soul .

And of all Christians’ souls , I pray God . God be wi’ you .

She exits .
LAERTES
Do you see this , O God ?
KING
Laertes , I must commune with your grief ,
Or you deny me right . Go but apart ,
Make choice of whom your wisest friends you will ,
And they shall hear and judge ’twixt you and me .
If by direct or by collateral hand
They find us touched , we will our kingdom give ,
Our crown , our life , and all that we call ours ,
To you in satisfaction ; but if not ,
Be you content to lend your patience to us ,
And we shall jointly labor with your soul
To give it due content .
LAERTES
Let this be so .
His means of death , his obscure funeral
( No trophy , sword , nor hatchment o’er his bones ,
No noble rite nor formal ostentation )
Cry to be heard , as ’twere from heaven to earth ,
That I must call ’t in question .
KING
So you shall ,
And where th’ offense is , let the great ax fall .
I pray you , go with me .
They exit .

Scene 6

Enter Horatio and others .
HORATIO

What are they that would speak with me ?

GENTLEMAN

Seafaring men , sir . They say they have letters for you .

HORATIO

Let them come in .
Gentleman exits .
I do not know from what part of the world I should be greeted , if not from Lord Hamlet .

Enter Sailors .
SAILOR

God bless you , sir .

HORATIO

Let Him bless thee too .

SAILOR

He shall , sir , an ’t please Him . There’s a letter for you , sir . It came from th’ ambassador that was bound for England — if your name be Horatio , as I am let to know it is .

He hands Horatio a letter .
HORATIO
reads the letter

Horatio , when thou shalt have overlooked this , give these fellows some means to the King . They have letters for him . Ere we were two days old at sea , a pirate of very warlike appointment gave us chase . Finding ourselves too slow of sail , we put on a compelled valor , and in the grapple I boarded them . On the instant , they got clear of our ship ; so I alone became their prisoner . They have dealt with me like thieves of mercy , but they knew what they did : I am to do a good turn for them . Let the King have the letters I have sent , and repair thou to me with as much speed as thou wouldst fly death . I have words to speak in thine ear will make thee dumb ; yet are they much too light for the bore of the matter . These good fellows will bring thee where I am . Rosencrantz and Guildenstern hold their course for England ; of them I have much to tell thee . Farewell . He that thou knowest thine , Hamlet .

Come , I will give you way for these your letters
And do ’t the speedier that you may direct me
To him from whom you brought them .
They exit .

Scene 7

Enter King and Laertes .
KING
Now must your conscience my acquittance seal ,
And you must put me in your heart for friend ,
Sith you have heard , and with a knowing ear ,
That he which hath your noble father slain
Pursued my life .
LAERTES
It well appears . But tell me
Why you proceeded not against these feats ,
So criminal and so capital in nature ,
As by your safety , greatness , wisdom , all things else ,
You mainly were stirred up .
KING
O , for two special reasons ,
Which may to you perhaps seem much unsinewed ,
But yet to me they’re strong . The Queen his mother
Lives almost by his looks , and for myself
( My virtue or my plague , be it either which ) ,
She is so conjunctive to my life and soul
That , as the star moves not but in his sphere ,
I could not but by her . The other motive
Why to a public count I might not go
Is the great love the general gender bear him ,
Who , dipping all his faults in their affection ,
Work like the spring that turneth wood to stone ,
Convert his gyves to graces , so that my arrows ,
Too slightly timbered for so loud a wind ,
Would have reverted to my bow again ,
But not where I have aimed them .
LAERTES
And so have I a noble father lost ,
A sister driven into desp’rate terms ,
Whose worth , if praises may go back again ,
Stood challenger on mount of all the age
For her perfections . But my revenge will come .
KING
Break not your sleeps for that . You must not think
That we are made of stuff so flat and dull
That we can let our beard be shook with danger
And think it pastime . You shortly shall hear more .
I loved your father , and we love ourself ,
And that , I hope , will teach you to imagine —
Enter a Messenger with letters .
How now ? What news ?
MESSENGER
Letters , my lord , from Hamlet .
These to your Majesty , this to the Queen .
KING
From Hamlet ? Who brought them ?
MESSENGER
Sailors , my lord , they say . I saw them not .
They were given me by Claudio . He received them
Of him that brought them .
KING
Laertes , you shall hear them . —
Leave us .
Messenger exits .
Reads .
High and mighty , you shall know I am set naked on your kingdom . Tomorrow shall I beg leave to see your kingly eyes , when I shall ( first asking your pardon ) thereunto recount the occasion of my sudden and more strange return . Hamlet .
What should this mean ? Are all the rest come back ?
Or is it some abuse and no such thing ?
LAERTES
Know you the hand ?
KING
’Tis Hamlet’s character . “ Naked ” —
And in a postscript here , he says “ alone . ”
Can you advise me ?
LAERTES
I am lost in it , my lord . But let him come .
It warms the very sickness in my heart
That I shall live and tell him to his teeth
“ Thus didst thou . ”
KING
If it be so , Laertes
( As how should it be so ? how otherwise ? ) ,
Will you be ruled by me ?
LAERTES
Ay , my lord ,
So you will not o’errule me to a peace .
KING
To thine own peace . If he be now returned ,
As checking at his voyage , and that he means
No more to undertake it , I will work him
To an exploit , now ripe in my device ,
Under the which he shall not choose but fall ;
And for his death no wind of blame shall breathe ,
But even his mother shall uncharge the practice
And call it accident .
LAERTES
My lord , I will be ruled ,
The rather if you could devise it so
That I might be the organ .
KING
It falls right .
You have been talked of since your travel much ,
And that in Hamlet’s hearing , for a quality
Wherein they say you shine . Your sum of parts
Did not together pluck such envy from him
As did that one , and that , in my regard ,
Of the unworthiest siege .
LAERTES
What part is that , my lord ?
KING
A very ribbon in the cap of youth —
Yet needful too , for youth no less becomes
The light and careless livery that it wears
Than settled age his sables and his weeds ,
Importing health and graveness . Two months since
Here was a gentleman of Normandy .
I have seen myself , and served against , the French ,
And they can well on horseback , but this gallant
Had witchcraft in ’t . He grew unto his seat ,
And to such wondrous doing brought his horse
As had he been encorpsed and demi-natured
With the brave beast . So far he topped my thought
That I in forgery of shapes and tricks
Come short of what he did .
LAERTES
A Norman was ’t ?
KING
A Norman .
LAERTES
Upon my life , Lamord .
KING
The very same .
LAERTES
I know him well . He is the brooch indeed
And gem of all the nation .
KING
He made confession of you
And gave you such a masterly report
For art and exercise in your defense ,
And for your rapier most especial ,
That he cried out ’twould be a sight indeed
If one could match you . The ’scrimers of their nation
He swore had neither motion , guard , nor eye ,
If you opposed them . Sir , this report of his
Did Hamlet so envenom with his envy
That he could nothing do but wish and beg
Your sudden coming-o’er , to play with you .
Now out of this —
LAERTES
What out of this , my lord ?
KING
Laertes , was your father dear to you ?
Or are you like the painting of a sorrow ,
A face without a heart ?
LAERTES
Why ask you this ?
KING
Not that I think you did not love your father ,
But that I know love is begun by time
And that I see , in passages of proof ,
Time qualifies the spark and fire of it .
There lives within the very flame of love
A kind of wick or snuff that will abate it ,
And nothing is at a like goodness still ;
For goodness , growing to a pleurisy ,
Dies in his own too-much . That we would do
We should do when we would ; for this “ would ” changes
And hath abatements and delays as many
As there are tongues , are hands , are accidents ;
And then this “ should ” is like a spendthrift sigh ,
That hurts by easing . But to the quick of th’ ulcer :
Hamlet comes back ; what would you undertake
To show yourself indeed your father’s son
More than in words ?
LAERTES
To cut his throat i’ th’ church .
KING
No place indeed should murder sanctuarize ;
Revenge should have no bounds . But , good Laertes ,
Will you do this ? Keep close within your chamber .
Hamlet , returned , shall know you are come home .
We’ll put on those shall praise your excellence
And set a double varnish on the fame
The Frenchman gave you ; bring you , in fine , together
And wager on your heads . He , being remiss ,
Most generous , and free from all contriving ,
Will not peruse the foils , so that with ease ,
Or with a little shuffling , you may choose
A sword unbated , and in a pass of practice
Requite him for your father .
LAERTES
I will do ’t ,
And for that purpose I’ll anoint my sword .
I bought an unction of a mountebank
So mortal that , but dip a knife in it ,
Where it draws blood no cataplasm so rare ,
Collected from all simples that have virtue
Under the moon , can save the thing from death
That is but scratched withal . I’ll touch my point
With this contagion , that , if I gall him slightly ,
It may be death .
KING
Let’s further think of this ,
Weigh what convenience both of time and means
May fit us to our shape . If this should fail ,
And that our drift look through our bad performance ,
’Twere better not assayed . Therefore this project
Should have a back or second that might hold
If this did blast in proof . Soft , let me see .
We’ll make a solemn wager on your cunnings —
I ha ’t !
When in your motion you are hot and dry
( As make your bouts more violent to that end )
And that he calls for drink , I’ll have prepared him
A chalice for the nonce , whereon but sipping ,
If he by chance escape your venomed stuck ,
Our purpose may hold there . — But stay , what noise ?
Enter Queen .
QUEEN
One woe doth tread upon another’s heel ,
So fast they follow . Your sister’s drowned , Laertes .
LAERTES
Drowned ? O , where ?
QUEEN
There is a willow grows askant the brook
That shows his hoar leaves in the glassy stream .
Therewith fantastic garlands did she make
Of crowflowers , nettles , daisies , and long purples ,
That liberal shepherds give a grosser name ,
But our cold maids do “ dead men’s fingers ” call them .
There on the pendant boughs her coronet weeds
Clamb’ring to hang , an envious sliver broke ,
When down her weedy trophies and herself
Fell in the weeping brook . Her clothes spread wide ,
And mermaid-like awhile they bore her up ,
Which time she chanted snatches of old lauds ,
As one incapable of her own distress
Or like a creature native and endued
Unto that element . But long it could not be
Till that her garments , heavy with their drink ,
Pulled the poor wretch from her melodious lay
To muddy death .
LAERTES
Alas , then she is drowned .
QUEEN
Drowned , drowned .
LAERTES
Too much of water hast thou , poor Ophelia ,
And therefore I forbid my tears . But yet
It is our trick ; nature her custom holds ,
Let shame say what it will . When these are gone ,
The woman will be out . — Adieu , my lord .
I have a speech o’ fire that fain would blaze ,
But that this folly drowns it .
He exits .
KING
Let’s follow , Gertrude .
How much I had to do to calm his rage !
Now fear I this will give it start again .
Therefore , let’s follow .
They exit .

ACT 5

Scene 1

Enter Gravedigger and Another .
GRAVEDIGGER

Is she to be buried in Christian burial , when she willfully seeks her own salvation ?

OTHER

I tell thee she is . Therefore make her grave straight . The crowner hath sat on her and finds it Christian burial .

GRAVEDIGGER

How can that be , unless she drowned herself in her own defense ?

OTHER

Why , ’tis found so .

GRAVEDIGGER

It must be se offendendo ; it cannot be else . For here lies the point : if I drown myself wittingly , it argues an act , and an act hath three branches — it is to act , to do , to perform . Argal , she drowned herself wittingly .

OTHER

Nay , but hear you , goodman delver —

GRAVEDIGGER

Give me leave . Here lies the water ; good . Here stands the man ; good . If the man go to this water and drown himself , it is ( will he , nill he ) he goes ; mark you that . But if the water come to him and drown him , he drowns not himself . Argal , he that is not guilty of his own death shortens not his own life .

OTHER

But is this law ?

GRAVEDIGGER

Ay , marry , is ’t — crowner’s ’quest law .

OTHER

Will you ha’ the truth on ’t ? If this had not been a gentlewoman , she should have been buried out o’ Christian burial .

GRAVEDIGGER

Why , there thou sayst . And the more pity that great folk should have count’nance in this world to drown or hang themselves more than their even-Christian . Come , my spade . There is no ancient gentlemen but gard’ners , ditchers , and grave-makers . They hold up Adam’s profession .

OTHER

Was he a gentleman ?

GRAVEDIGGER

He was the first that ever bore arms .

OTHER

Why , he had none .

GRAVEDIGGER

What , art a heathen ? How dost thou understand the scripture ? The scripture says Adam digged . Could he dig without arms ? I’ll put another question to thee . If thou answerest me not to the purpose , confess thyself —

OTHER

Go to !

GRAVEDIGGER

What is he that builds stronger than either the mason , the shipwright , or the carpenter ?

OTHER

The gallows-maker ; for that frame outlives a thousand tenants .

GRAVEDIGGER

I like thy wit well , in good faith . The gallows does well . But how does it well ? It does well to those that do ill . Now , thou dost ill to say the gallows is built stronger than the church . Argal , the gallows may do well to thee . To ’t again , come .

OTHER

“ Who builds stronger than a mason , a shipwright , or a carpenter ? ”

GRAVEDIGGER

Ay , tell me that , and unyoke .

OTHER

Marry , now I can tell .

GRAVEDIGGER

To ’t .

OTHER

Mass , I cannot tell .

Enter Hamlet and Horatio afar off .
GRAVEDIGGER

Cudgel thy brains no more about it , for your dull ass will not mend his pace with beating . And , when you are asked this question next , say “ a grave-maker . ” The houses he makes lasts till doomsday . Go , get thee in , and fetch me a stoup of liquor .

The Other Man exits
and the Gravedigger digs and sings .
5.1.63 In youth when I did love , did love ,
5.1.64 Methought it was very sweet
5.1.65 To contract — O — the time for — a — my behove ,
5.1.66 O , methought there — a — was nothing — a — meet .
HAMLET

Has this fellow no feeling of his business ? He sings in grave-making .

HORATIO

Custom hath made it in him a property of easiness .

HAMLET

’Tis e’en so . The hand of little employment hath the daintier sense .

GRAVEDIGGER
sings
5.1.73 But age with his stealing steps
5.1.74 Hath clawed me in his clutch ,
5.1.75 And hath shipped me into the land ,
5.1.76 As if I had never been such .
He digs up a skull .
HAMLET

That skull had a tongue in it and could sing once . How the knave jowls it to the ground as if ’twere Cain’s jawbone , that did the first murder ! This might be the pate of a politician which this ass now o’erreaches , one that would circumvent God , might it not ?

HORATIO

It might , my lord .

HAMLET

Or of a courtier , which could say “ Good morrow , sweet lord ! How dost thou , sweet lord ? ” This might be my Lord Such-a-one that praised my Lord Such-a-one’s horse when he went to beg it , might it not ?

HORATIO

Ay , my lord .

HAMLET

Why , e’en so . And now my Lady Worm’s , chapless and knocked about the mazard with a sexton’s spade . Here’s fine revolution , an we had the trick to see ’t . Did these bones cost no more the breeding but to play at loggets with them ? Mine ache to think on ’t .

GRAVEDIGGER
sings
5.1.96 A pickax and a spade , a spade ,
5.1.97 For and a shrouding sheet ,
5.1.98 O , a pit of clay for to be made
5.1.99 For such a guest is meet .
He digs up more skulls .
HAMLET

There’s another . Why may not that be the skull of a lawyer ? Where be his quiddities now , his quillities , his cases , his tenures , and his tricks ? Why does he suffer this mad knave now to knock him about the sconce with a dirty shovel and will not tell him of his action of battery ? Hum , this fellow might be in ’s time a great buyer of land , with his statutes , his recognizances , his fines , his double vouchers , his recoveries . Is this the fine of his fines and the recovery of his recoveries , to have his fine pate full of fine dirt ? Will his vouchers vouch him no more of his purchases , and double ones too , than the length and breadth of a pair of indentures ? The very conveyances of his lands will scarcely lie in this box , and must th’ inheritor himself have no more , ha ?

HORATIO

Not a jot more , my lord .

HAMLET

Is not parchment made of sheepskins ?

HORATIO

Ay , my lord , and of calves’ skins too .

HAMLET

They are sheep and calves which seek out assurance in that . I will speak to this fellow . — Whose grave’s this , sirrah ?

GRAVEDIGGER

Mine , sir .

Sings .
5.1.122 O , a pit of clay for to be made
5.1.123 For such a guest is meet .
HAMLET

I think it be thine indeed , for thou liest in ’t .

GRAVEDIGGER

You lie out on ’t , sir , and therefore ’tis not yours . For my part , I do not lie in ’t , yet it is mine .

HAMLET

Thou dost lie in ’t , to be in ’t and say it is thine . ’Tis for the dead , not for the quick ; therefore thou liest .

GRAVEDIGGER

’Tis a quick lie , sir ; ’twill away again from me to you .

HAMLET

What man dost thou dig it for ?

GRAVEDIGGER

For no man , sir .

HAMLET

What woman then ?

GRAVEDIGGER

For none , neither .

HAMLET

Who is to be buried in ’t ?

GRAVEDIGGER

One that was a woman , sir , but , rest her soul , she’s dead .

HAMLET

How absolute the knave is ! We must speak by the card , or equivocation will undo us . By the Lord , Horatio , this three years I have took note of it : the age is grown so picked that the toe of the peasant comes so near the heel of the courtier , he galls his kibe . — How long hast thou been grave-maker ?

GRAVEDIGGER

Of all the days i’ th’ year , I came to ’t that day that our last King Hamlet overcame Fortinbras .

HAMLET

How long is that since ?

GRAVEDIGGER

Cannot you tell that ? Every fool can tell that . It was that very day that young Hamlet was born — he that is mad , and sent into England .

HAMLET

Ay , marry , why was he sent into England ?

GRAVEDIGGER

Why , because he was mad . He shall recover his wits there . Or if he do not , ’tis no great matter there .

HAMLET

Why ?

GRAVEDIGGER

’Twill not be seen in him there . There the men are as mad as he .

HAMLET

How came he mad ?

GRAVEDIGGER

Very strangely , they say .

HAMLET

How “ strangely ” ?

GRAVEDIGGER

Faith , e’en with losing his wits .

HAMLET

Upon what ground ?

GRAVEDIGGER

Why , here in Denmark . I have been sexton here , man and boy , thirty years .

HAMLET

How long will a man lie i’ th’ earth ere he rot ?

GRAVEDIGGER

Faith , if he be not rotten before he die ( as we have many pocky corses nowadays that will scarce hold the laying in ) , he will last you some eight year or nine year . A tanner will last you nine year .

HAMLET

Why he more than another ?

GRAVEDIGGER

Why , sir , his hide is so tanned with his trade that he will keep out water a great while ; and your water is a sore decayer of your whoreson dead body . Here’s a skull now hath lien you i’ th’ earth three-and-twenty years .

HAMLET

Whose was it ?

GRAVEDIGGER

A whoreson mad fellow’s it was . Whose do you think it was ?

HAMLET

Nay , I know not .

GRAVEDIGGER

A pestilence on him for a mad rogue ! He poured a flagon of Rhenish on my head once . This same skull , sir , was , sir , Yorick’s skull , the King’s jester .

HAMLET

This ?

GRAVEDIGGER

E’en that .

HAMLET
, taking the skull

Let me see . Alas , poor Yorick ! I knew him , Horatio — a fellow of infinite jest , of most excellent fancy . He hath bore me on his back a thousand times , and now how abhorred in my imagination it is ! My gorge rises at it . Here hung those lips that I have kissed I know not how oft . Where be your gibes now ? your gambols ? your songs ? your flashes of merriment that were wont to set the table on a roar ? Not one now to mock your own grinning ? Quite chapfallen ? Now get you to my lady’s chamber , and tell her , let her paint an inch thick , to this favor she must come . Make her laugh at that . — Prithee , Horatio , tell me one thing .

HORATIO

What’s that , my lord ?

HAMLET

Dost thou think Alexander looked o’ this fashion i’ th’ earth ?

HORATIO

E’en so .

HAMLET

And smelt so ? Pah !

He puts the skull down .
HORATIO

E’en so , my lord .

HAMLET

To what base uses we may return , Horatio ! Why may not imagination trace the noble dust of Alexander till he find it stopping a bunghole ?

HORATIO

’Twere to consider too curiously to consider so .

HAMLET

No , faith , not a jot ; but to follow him thither , with modesty enough and likelihood to lead it , as thus : Alexander died , Alexander was buried , Alexander returneth to dust ; the dust is earth ; of earth we make loam ; and why of that loam whereto he was converted might they not stop a beer barrel ?

5.1.220 Imperious Caesar , dead and turned to clay ,
5.1.221 Might stop a hole to keep the wind away .
5.1.222 O , that that earth which kept the world in awe
5.1.223 Should patch a wall t’ expel the winter’s flaw !
Enter King , Queen , Laertes , Lords attendant , and the corpse of Ophelia , with a Doctor of Divinity .
5.1.224 But soft , but soft awhile ! Here comes the King ,
5.1.225 The Queen , the courtiers . Who is this they follow ?
5.1.226 And with such maimèd rites ? This doth betoken
5.1.227 The corse they follow did with desp’rate hand
5.1.228 Fordo its own life . ’Twas of some estate .
5.1.229 Couch we awhile and mark .
They step aside .
LAERTES
5.1.230 What ceremony else ?
HAMLET
5.1.231 That is Laertes , a very noble youth . Mark .
LAERTES
5.1.232 What ceremony else ?
DOCTOR
5.1.233 Her obsequies have been as far enlarged
5.1.234 As we have warranty . Her death was doubtful ,
5.1.235 And , but that great command o’ersways the order ,
5.1.236 She should in ground unsanctified been lodged
5.1.237 Till the last trumpet . For charitable prayers
5.1.238 Shards , flints , and pebbles should be thrown on her .
5.1.240 Yet here she is allowed her virgin crants ,
5.1.241 Her maiden strewments , and the bringing home
5.1.242 Of bell and burial .
LAERTES
5.1.243 Must there no more be done ?
DOCTOR
5.1.244 No more be done .
5.1.245 We should profane the service of the dead
5.1.246 To sing a requiem and such rest to her
5.1.247 As to peace-parted souls .
LAERTES
5.1.248 Lay her i’ th’ earth ,
5.1.249 And from her fair and unpolluted flesh
5.1.250 May violets spring ! I tell thee , churlish priest ,
5.1.251 A minist’ring angel shall my sister be
5.1.252 When thou liest howling .
HAMLET
, to Horatio
5.1.253 What , the fair Ophelia ?
QUEEN
5.1.254 Sweets to the sweet , farewell !
She scatters flowers .
5.1.255 I hoped thou shouldst have been my Hamlet’s wife ;
5.1.256 I thought thy bride-bed to have decked , sweet maid ,
5.1.257 And not have strewed thy grave .
LAERTES
5.1.258 O , treble woe
5.1.259 Fall ten times treble on that cursèd head
5.1.260 Whose wicked deed thy most ingenious sense
5.1.261 Deprived thee of ! — Hold off the earth awhile ,
5.1.262 Till I have caught her once more in mine arms .
Leaps in the grave .
5.1.263 Now pile your dust upon the quick and dead ,
5.1.264 Till of this flat a mountain you have made
5.1.265 T’ o’ertop old Pelion or the skyish head
5.1.266 Of blue Olympus .
HAMLET
, advancing
5.1.267 What is he whose grief
5.1.268 Bears such an emphasis , whose phrase of sorrow
5.1.269 Conjures the wand’ring stars and makes them stand
5.1.270 Like wonder-wounded hearers ? This is I ,
5.1.271 Hamlet the Dane .
LAERTES
, coming out of the grave
5.1.272 The devil take thy soul !
HAMLET
5.1.273 Thou pray’st not well .
They grapple .
5.1.274 I prithee take thy fingers from my throat ,
5.1.275 For though I am not splenitive and rash ,
5.1.276 Yet have I in me something dangerous ,
5.1.277 Which let thy wisdom fear . Hold off thy hand .
KING
5.1.278 Pluck them asunder .
QUEEN
5.1.279 Hamlet ! Hamlet !
ALL
5.1.280 Gentlemen !
HORATIO
5.1.281 Good my lord , be quiet .
Hamlet and Laertes are separated .
HAMLET
5.1.282 Why , I will fight with him upon this theme
5.1.283 Until my eyelids will no longer wag !
QUEEN
5.1.284 O my son , what theme ?
HAMLET
5.1.285 I loved Ophelia . Forty thousand brothers
5.1.286 Could not with all their quantity of love
5.1.287 Make up my sum . What wilt thou do for her ?
KING
5.1.288 O , he is mad , Laertes !
QUEEN
5.1.289 For love of God , forbear him .
HAMLET
5.1.290 ’Swounds , show me what thou ’t do .
5.1.291 Woo’t weep , woo’t fight , woo’t fast , woo’t tear thyself ,
5.1.293 Woo’t drink up eisel , eat a crocodile ?
5.1.294 I’ll do ’t . Dost thou come here to whine ?
5.1.295 To outface me with leaping in her grave ?
5.1.296 Be buried quick with her , and so will I .
5.1.297 And if thou prate of mountains , let them throw
5.1.298 Millions of acres on us , till our ground ,
5.1.299 Singeing his pate against the burning zone ,
5.1.300 Make Ossa like a wart . Nay , an thou ’lt mouth ,
5.1.301 I’ll rant as well as thou .
QUEEN
5.1.302 This is mere madness ;
5.1.303 And thus awhile the fit will work on him .
5.1.304 Anon , as patient as the female dove
5.1.305 When that her golden couplets are disclosed ,
5.1.306 His silence will sit drooping .
HAMLET
5.1.307 Hear you , sir ,
5.1.308 What is the reason that you use me thus ?
5.1.309 I loved you ever . But it is no matter .
5.1.310 Let Hercules himself do what he may ,
5.1.311 The cat will mew , and dog will have his day .
Hamlet exits .
KING
5.1.312 I pray thee , good Horatio , wait upon him .
Horatio exits .
5.1.313
To Laertes .
Strengthen your patience in our last night’s speech .
5.1.315 We’ll put the matter to the present push . —
5.1.316 Good Gertrude , set some watch over your son . —
5.1.317 This grave shall have a living monument .
5.1.318 An hour of quiet thereby shall we see .
5.1.319 Till then in patience our proceeding be .
They exit .

Scene 2

Enter Hamlet and Horatio .
HAMLET
5.2.1 So much for this , sir . Now shall you see the other .
5.2.2 You do remember all the circumstance ?
HORATIO
5.2.3 Remember it , my lord !
HAMLET
5.2.4 Sir , in my heart there was a kind of fighting
5.2.5 That would not let me sleep . Methought I lay
5.2.6 Worse than the mutines in the bilboes . Rashly —
5.2.7 And praised be rashness for it : let us know ,
5.2.8 Our indiscretion sometime serves us well
5.2.9 When our deep plots do pall ; and that should learn us
5.2.11 There’s a divinity that shapes our ends ,
5.2.12 Rough-hew them how we will
HORATIO
5.2.13 That is most certain .
HAMLET
5.2.15 Up from my cabin ,
5.2.16 My sea-gown scarfed about me , in the dark
5.2.17 Groped I to find out them ; had my desire ,
5.2.18 Fingered their packet , and in fine withdrew
5.2.19 To mine own room again , making so bold
5.2.20 ( My fears forgetting manners ) to unfold
5.2.21 Their grand commission ; where I found , Horatio ,
5.2.22 A royal knavery — an exact command ,
5.2.23 Larded with many several sorts of reasons
5.2.24 Importing Denmark’s health and England’s too ,
5.2.25 With — ho ! — such bugs and goblins in my life ,
5.2.26 That on the supervise , no leisure bated ,
5.2.27 No , not to stay the grinding of the ax ,
5.2.28 My head should be struck off .
HORATIO
5.2.29 Is ’t possible ?
HAMLET
5.2.30 Here’s the commission . Read it at more leisure .
Handing him a paper .
5.2.31 But wilt thou hear now how I did proceed ?
HORATIO
5.2.32 I beseech you .
HAMLET
5.2.33 Being thus benetted round with villainies ,
5.2.34 Or I could make a prologue to my brains ,
5.2.35 They had begun the play . I sat me down ,
5.2.36 Devised a new commission , wrote it fair —
5.2.37 I once did hold it , as our statists do ,
5.2.38 A baseness to write fair , and labored much
5.2.39 How to forget that learning ; but , sir , now
5.2.40 It did me yeoman’s service . Wilt thou know
5.2.41 Th’ effect of what I wrote ?
HORATIO
5.2.42 Ay , good my lord .
HAMLET
5.2.43 An earnest conjuration from the King ,
5.2.44 As England was his faithful tributary ,
5.2.45 As love between them like the palm might flourish ,
5.2.46 As peace should still her wheaten garland wear
5.2.47 And stand a comma ’tween their amities ,
5.2.48 And many suchlike ases of great charge ,
5.2.49 That , on the view and knowing of these contents ,
5.2.50 Without debatement further , more or less ,
5.2.51 He should those bearers put to sudden death ,
5.2.52 Not shriving time allowed .
HORATIO
5.2.53 How was this sealed ?
HAMLET
5.2.54 Why , even in that was heaven ordinant .
5.2.55 I had my father’s signet in my purse ,
5.2.56 Which was the model of that Danish seal ;
5.2.57 Folded the writ up in the form of th’ other ,
5.2.58 Subscribed it , gave ’t th’ impression , placed it safely ,
5.2.60 The changeling never known . Now , the next day
5.2.61 Was our sea-fight ; and what to this was sequent
5.2.62 Thou knowest already .
HORATIO
5.2.63 So Guildenstern and Rosencrantz go to ’t .
HAMLET
5.2.64 Why , man , they did make love to this employment .
5.2.65 They are not near my conscience . Their defeat
5.2.66 Does by their own insinuation grow .
5.2.67 ’Tis dangerous when the baser nature comes
5.2.68 Between the pass and fell incensèd points
5.2.69 Of mighty opposites .
HORATIO
5.2.70 Why , what a king is this !
HAMLET
5.2.71 Does it not , think thee , stand me now upon —
5.2.72 He that hath killed my king and whored my mother ,
5.2.73 Popped in between th’ election and my hopes ,
5.2.74 Thrown out his angle for my proper life ,
5.2.75 And with such cozenage — is ’t not perfect conscience
5.2.77 To quit him with this arm ? And is ’t not to be damned
5.2.79 To let this canker of our nature come
5.2.80 In further evil ?
HORATIO
5.2.81 It must be shortly known to him from England
5.2.82 What is the issue of the business there .
HAMLET
5.2.83 It will be short . The interim’s mine ,
5.2.84 And a man’s life’s no more than to say “ one . ”
5.2.85 But I am very sorry , good Horatio ,
5.2.86 That to Laertes I forgot myself ,
5.2.87 For by the image of my cause I see
5.2.88 The portraiture of his . I’ll court his favors .
5.2.89 But , sure , the bravery of his grief did put me
5.2.90 Into a tow’ring passion .
HORATIO
5.2.91 Peace , who comes here ?
Enter Osric , a courtier .
OSRIC

Your Lordship is right welcome back to Denmark .

HAMLET

I humbly thank you , sir .

Aside to Horatio .

Dost know this waterfly ?

HORATIO
, aside to Hamlet

No , my good lord .

HAMLET
, aside to Horatio

Thy state is the more gracious , for ’tis a vice to know him . He hath much land , and fertile . Let a beast be lord of beasts and his crib shall stand at the king’s mess . ’Tis a chough , but , as I say , spacious in the possession of dirt .

OSRIC

Sweet lord , if your Lordship were at leisure , I should impart a thing to you from his Majesty .

HAMLET

I will receive it , sir , with all diligence of spirit . Put your bonnet to his right use : ’tis for the head .

OSRIC

I thank your Lordship ; it is very hot .

HAMLET

No , believe me , ’tis very cold ; the wind is northerly .

OSRIC

It is indifferent cold , my lord , indeed .

HAMLET

But yet methinks it is very sultry and hot for my complexion .

OSRIC

Exceedingly , my lord ; it is very sultry , as ’twere — I cannot tell how . My lord , his Majesty bade me signify to you that he has laid a great wager on your head . Sir , this is the matter —

HAMLET

I beseech you , remember .

He motions to Osric to put on his hat .
OSRIC

Nay , good my lord , for my ease , in good faith . Sir , here is newly come to court Laertes — believe me , an absolute gentleman , full of most excellent differences , of very soft society and great showing . Indeed , to speak feelingly of him , he is the card or calendar of gentry , for you shall find in him the continent of what part a gentleman would see .

HAMLET

Sir , his definement suffers no perdition in you , though I know to divide him inventorially would dozy th’ arithmetic of memory , and yet but yaw neither , in respect of his quick sail . But , in the verity of extolment , I take him to be a soul of great article , and his infusion of such dearth and rareness as , to make true diction of him , his semblable is his mirror , and who else would trace him , his umbrage , nothing more .

OSRIC

Your Lordship speaks most infallibly of him .

HAMLET

The concernancy , sir ? Why do we wrap the gentleman in our more rawer breath ?

OSRIC

Sir ?

HORATIO

Is ’t not possible to understand in another tongue ? You will to ’t , sir , really .

HAMLET
, to Osric

What imports the nomination of this gentleman ?

OSRIC

Of Laertes ?

HORATIO

His purse is empty already ; all ’s golden words are spent .

HAMLET

Of him , sir .

OSRIC

I know you are not ignorant —

HAMLET

I would you did , sir . Yet , in faith , if you did , it would not much approve me . Well , sir ?

OSRIC

You are not ignorant of what excellence Laertes is —

HAMLET

I dare not confess that , lest I should compare with him in excellence . But to know a man well were to know himself .

OSRIC

I mean , sir , for his weapon . But in the imputation laid on him by them , in his meed he’s unfellowed .

HAMLET

What’s his weapon ?

OSRIC

Rapier and dagger .

HAMLET

That’s two of his weapons . But , well —

OSRIC

The King , sir , hath wagered with him six Barbary horses , against the which he has impawned , as I take it , six French rapiers and poniards , with their assigns , as girdle , hangers , and so . Three of the carriages , in faith , are very dear to fancy , very responsive to the hilts , most delicate carriages , and of very liberal conceit .

HAMLET

What call you the “ carriages ” ?

HORATIO

I knew you must be edified by the margent ere you had done .

OSRIC

The carriages , sir , are the hangers .

HAMLET

The phrase would be more germane to the matter if we could carry a cannon by our sides . I would it might be “ hangers ” till then . But on . Six Barbary horses against six French swords , their assigns , and three liberal-conceited carriages — that’s the French bet against the Danish . Why is this all “ impawned , ” as you call it ?

OSRIC

The King , sir , hath laid , sir , that in a dozen passes between yourself and him , he shall not exceed you three hits . He hath laid on twelve for nine , and it would come to immediate trial if your Lordship would vouchsafe the answer .

HAMLET

How if I answer no ?

OSRIC

I mean , my lord , the opposition of your person in trial .

HAMLET

Sir , I will walk here in the hall . If it please his Majesty , it is the breathing time of day with me . Let the foils be brought , the gentleman willing , and the King hold his purpose , I will win for him , an I can . If not , I will gain nothing but my shame and the odd hits .

OSRIC

Shall I deliver you e’en so ?

HAMLET

To this effect , sir , after what flourish your nature will .

OSRIC

I commend my duty to your Lordship .

HAMLET

Yours .
Osric exits .
He does well to commend it himself . There are no tongues else for ’s turn .

HORATIO

This lapwing runs away with the shell on his head .

HAMLET

He did comply , sir , with his dug before he sucked it . Thus has he ( and many more of the same breed that I know the drossy age dotes on ) only got the tune of the time , and , out of an habit of encounter , a kind of yeasty collection , which carries them through and through the most fanned and winnowed opinions ; and do but blow them to their trial , the bubbles are out .

Enter a Lord .
LORD

My lord , his Majesty commended him to you by young Osric , who brings back to him that you attend him in the hall . He sends to know if your pleasure hold to play with Laertes , or that you will take longer time .

HAMLET

I am constant to my purposes . They follow the King’s pleasure . If his fitness speaks , mine is ready now or whensoever , provided I be so able as now .

LORD

The King and Queen and all are coming down .

HAMLET

In happy time .

LORD

The Queen desires you to use some gentle entertainment to Laertes before you fall to play .

HAMLET

She well instructs me .

Lord exits .
HORATIO

You will lose , my lord .

HAMLET

I do not think so . Since he went into France , I have been in continual practice . I shall win at the odds ; but thou wouldst not think how ill all’s here about my heart . But it is no matter .

HORATIO

Nay , good my lord —

HAMLET

It is but foolery , but it is such a kind of gaingiving as would perhaps trouble a woman .

HORATIO

If your mind dislike anything , obey it . I will forestall their repair hither and say you are not fit .

HAMLET

Not a whit . We defy augury . There is a special providence in the fall of a sparrow . If it be now , ’tis not to come ; if it be not to come , it will be now ; if it be not now , yet it will come . The readiness is all . Since no man of aught he leaves knows , what is ’t to leave betimes ? Let be .

A table prepared . Enter
Trumpets , Drums
, and Officers with cushions , King , Queen , Osric , and all the state , foils , daggers , flagons of wine , and Laertes .
KING
5.2.239 Come , Hamlet , come and take this hand from me .
He puts Laertes’ hand into Hamlet’s .
HAMLET
, to Laertes
5.2.240 Give me your pardon , sir . I have done you wrong ;
5.2.241 But pardon ’t as you are a gentleman . This presence knows ,
5.2.243 And you must needs have heard , how I am punished
5.2.244 With a sore distraction . What I have done
5.2.245 That might your nature , honor , and exception
5.2.246 Roughly awake , I here proclaim was madness .
5.2.247 Was ’t Hamlet wronged Laertes ? Never Hamlet .
5.2.248 If Hamlet from himself be ta’en away ,
5.2.249 And when he’s not himself does wrong Laertes ,
5.2.250 Then Hamlet does it not ; Hamlet denies it .
5.2.251 Who does it , then ? His madness . If ’t be so ,
5.2.252 Hamlet is of the faction that is wronged ;
5.2.253 His madness is poor Hamlet’s enemy .
5.2.254 Sir , in this audience
5.2.255 Let my disclaiming from a purposed evil
5.2.256 Free me so far in your most generous thoughts
5.2.257 That I have shot my arrow o’er the house
5.2.258 And hurt my brother .
LAERTES
5.2.259 I am satisfied in nature ,
5.2.260 Whose motive in this case should stir me most
5.2.261 To my revenge ; but in my terms of honor
5.2.262 I stand aloof and will no reconcilement
5.2.263 Till by some elder masters of known honor
5.2.264 I have a voice and precedent of peace
5.2.265 To keep my name ungored . But till that time
5.2.266 I do receive your offered love like love
5.2.267 And will not wrong it .
HAMLET
5.2.268 I embrace it freely
5.2.269 And will this brothers’ wager frankly play . —
5.2.270 Give us the foils . Come on .
LAERTES
5.2.271 Come , one for me .
HAMLET
5.2.272 I’ll be your foil , Laertes ; in mine ignorance
5.2.273 Your skill shall , like a star i’ th’ darkest night ,
5.2.274 Stick fiery off indeed .
LAERTES
5.2.275 You mock me , sir .
HAMLET
5.2.276 No , by this hand .
KING
5.2.277 Give them the foils , young Osric . Cousin Hamlet ,
5.2.278 You know the wager ?
HAMLET
5.2.279 Very well , my lord .
5.2.280 Your Grace has laid the odds o’ th’ weaker side .
KING
5.2.281 I do not fear it ; I have seen you both .
5.2.282 But , since he is better , we have therefore odds .
LAERTES
5.2.283 This is too heavy . Let me see another .
HAMLET
5.2.284 This likes me well . These foils have all a length ?
OSRIC
5.2.285 Ay , my good lord .
Prepare to play .
KING
5.2.286 Set me the stoups of wine upon that table . —
5.2.287 If Hamlet give the first or second hit
5.2.288 Or quit in answer of the third exchange ,
5.2.289 Let all the battlements their ordnance fire .
5.2.290 The King shall drink to Hamlet’s better breath ,
5.2.291 And in the cup an union shall he throw ,
5.2.292 Richer than that which four successive kings
5.2.293 In Denmark’s crown have worn . Give me the cups ,
5.2.294 And let the kettle to the trumpet speak ,
5.2.295 The trumpet to the cannoneer without ,
5.2.296 The cannons to the heavens , the heaven to earth ,
5.2.297 “ Now the King drinks to Hamlet . ” Come , begin .
5.2.298 And you , the judges , bear a wary eye .
Trumpets the while .
HAMLET

Come on , sir .

LAERTES

Come , my lord .

They play .
HAMLET

One .

LAERTES

No .

HAMLET

Judgment !

OSRIC

A hit , a very palpable hit .

LAERTES

Well , again .

KING
5.2.306 Stay , give me drink . — Hamlet , this pearl is thine .
5.2.307 Here’s to thy health .
He drinks and then drops the pearl in the cup .
Drum , trumpets , and shot .
5.2.308 Give him the cup .
HAMLET
5.2.309 I’ll play this bout first . Set it by awhile .
5.2.310 Come .
They play .
Another hit . What say you ?
LAERTES
5.2.311 A touch , a touch . I do confess ’t .
KING
5.2.312 Our son shall win .
QUEEN
5.2.313 He’s fat and scant of breath . —
5.2.314 Here , Hamlet , take my napkin ; rub thy brows .
5.2.315 The Queen carouses to thy fortune , Hamlet .
She lifts the cup .
HAMLET
5.2.316 Good madam .
KING
5.2.317 Gertrude , do not drink .
QUEEN
5.2.318 I will , my lord ; I pray you pardon me .
She drinks .
KING
, aside
5.2.319 It is the poisoned cup . It is too late .
HAMLET
5.2.320 I dare not drink yet , madam — by and by .
QUEEN
5.2.321 Come , let me wipe thy face .
LAERTES
, to Claudius
5.2.322 My lord , I’ll hit him now .
KING
5.2.323 I do not think ’t .
LAERTES
, aside
5.2.324 And yet it is almost against my conscience .
HAMLET
5.2.325 Come , for the third , Laertes . You do but dally .
5.2.326 I pray you pass with your best violence .
5.2.327 I am afeard you make a wanton of me .
LAERTES
5.2.328 Say you so ? Come on .
Play .
OSRIC
5.2.329 Nothing neither way .
LAERTES
5.2.330 Have at you now !
Laertes wounds Hamlet . Then in scuffling they change rapiers , and Hamlet wounds Laertes .
KING
5.2.331 Part them . They are incensed .
HAMLET
5.2.332 Nay , come again .
The Queen falls .
OSRIC
5.2.333 Look to the Queen there , ho !
HORATIO
5.2.334 They bleed on both sides . — How is it , my lord ?
OSRIC
5.2.335 How is ’t , Laertes ?
LAERTES
5.2.336 Why as a woodcock to mine own springe , Osric .
He falls .
5.2.337 I am justly killed with mine own treachery .
HAMLET
5.2.338 How does the Queen ?
KING
5.2.339 She swoons to see them bleed .
QUEEN
5.2.340 No , no , the drink , the drink ! O , my dear Hamlet !
5.2.341 The drink , the drink ! I am poisoned .
She dies .
HAMLET
5.2.342 O villainy ! Ho ! Let the door be locked .
Osric exits .
5.2.343 Treachery ! Seek it out .
LAERTES
5.2.344 It is here , Hamlet . Hamlet , thou art slain .
5.2.345 No med’cine in the world can do thee good .
5.2.346 In thee there is not half an hour’s life .
5.2.347 The treacherous instrument is in thy hand ,
5.2.348 Unbated and envenomed . The foul practice
5.2.349 Hath turned itself on me . Lo , here I lie ,
5.2.350 Never to rise again . Thy mother’s poisoned .
5.2.351 I can no more . The King , the King’s to blame .
HAMLET
5.2.352 The point envenomed too ! Then , venom , to thy work .
Hurts the King .
ALL
5.2.354 Treason , treason !
KING
5.2.355 O , yet defend me , friends ! I am but hurt .
HAMLET
5.2.356 Here , thou incestuous , murd’rous , damnèd Dane ,
5.2.357 Drink off this potion . Is thy union here ?
Forcing him to drink the poison .
5.2.358 Follow my mother .
King dies .
LAERTES
5.2.359 He is justly served .
5.2.360 It is a poison tempered by himself .
5.2.361 Exchange forgiveness with me , noble Hamlet .
5.2.362 Mine and my father’s death come not upon thee ,
5.2.363 Nor thine on me .
Dies .
HAMLET
5.2.364 Heaven make thee free of it . I follow thee . —
5.2.365 I am dead , Horatio . — Wretched queen , adieu . —
5.2.366 You that look pale and tremble at this chance ,
5.2.367 That are but mutes or audience to this act ,
5.2.368 Had I but time ( as this fell sergeant , Death ,
5.2.369 Is strict in his arrest ) , O , I could tell you —
5.2.370 But let it be . — Horatio , I am dead .
5.2.371 Thou livest ; report me and my cause aright
5.2.372 To the unsatisfied .
HORATIO
5.2.373 Never believe it .
5.2.374 I am more an antique Roman than a Dane .
5.2.375 Here’s yet some liquor left .
He picks up the cup .
HAMLET
5.2.376 As thou ’rt a man ,
5.2.377 Give me the cup . Let go ! By heaven , I’ll ha ’t .
5.2.378 O God , Horatio , what a wounded name ,
5.2.379 Things standing thus unknown , shall I leave behind me !
5.2.381 If thou didst ever hold me in thy heart ,
5.2.382 Absent thee from felicity awhile
5.2.383 And in this harsh world draw thy breath in pain
5.2.384 To tell my story .
A march afar off and shot within .
5.2.385 What warlike noise is this ?
Enter Osric .
OSRIC
5.2.386 Young Fortinbras , with conquest come from Poland ,
5.2.387 To th’ ambassadors of England gives
5.2.388 This warlike volley .
HAMLET
5.2.389 O , I die , Horatio !
5.2.390 The potent poison quite o’ercrows my spirit .
5.2.391 I cannot live to hear the news from England .
5.2.392 But I do prophesy th’ election lights
5.2.393 On Fortinbras ; he has my dying voice .
5.2.394 So tell him , with th’ occurrents , more and less ,
5.2.395 Which have solicited — the rest is silence .
5.2.396 O , O , O , O !
Dies .
HORATIO
5.2.397 Now cracks a noble heart . Good night , sweet prince ,
5.2.398 And flights of angels sing thee to thy rest .
March within .
5.2.399 Why does the drum come hither ?
Enter Fortinbras with the English Ambassadors with
Drum ,
Colors , and Attendants .
FORTINBRAS
5.2.400 Where is this sight ?
HORATIO
5.2.401 What is it you would see ?
5.2.402 If aught of woe or wonder , cease your search .
FORTINBRAS
5.2.403 This quarry cries on havoc . O proud Death ,
5.2.404 What feast is toward in thine eternal cell
5.2.405 That thou so many princes at a shot
5.2.406 So bloodily hast struck ?
AMBASSADOR
5.2.407 The sight is dismal ,
5.2.408 And our affairs from England come too late .
5.2.409 The ears are senseless that should give us hearing
5.2.410 To tell him his commandment is fulfilled ,
5.2.411 That Rosencrantz and Guildenstern are dead .
5.2.412 Where should we have our thanks ?
HORATIO
5.2.413 Not from his mouth ,
5.2.415 Had it th’ ability of life to thank you .
5.2.416 He never gave commandment for their death .
5.2.417 But since , so jump upon this bloody question ,
5.2.418 You from the Polack wars , and you from England ,
5.2.419 Are here arrived , give order that these bodies
5.2.420 High on a stage be placed to the view ,
5.2.421 And let me speak to th’ yet unknowing world
5.2.422 How these things came about . So shall you hear
5.2.423 Of carnal , bloody , and unnatural acts ,
5.2.424 Of accidental judgments , casual slaughters ,
5.2.425 Of deaths put on by cunning and forced cause ,
5.2.426 And , in this upshot , purposes mistook
5.2.427 Fall’n on th’ inventors’ heads . All this can I
5.2.428 Truly deliver .
FORTINBRAS
5.2.429 Let us haste to hear it
5.2.430 And call the noblest to the audience .
5.2.431 For me , with sorrow I embrace my fortune .
5.2.432 I have some rights of memory in this kingdom ,
5.2.433 Which now to claim my vantage doth invite me .
HORATIO
5.2.434 Of that I shall have also cause to speak ,
5.2.435 And from his mouth whose voice will draw on more .
5.2.437 But let this same be presently performed
5.2.438 Even while men’s minds are wild , lest more mischance
5.2.440 On plots and errors happen .
FORTINBRAS
5.2.441 Let four captains
5.2.442 Bear Hamlet like a soldier to the stage ,
5.2.443 For he was likely , had he been put on ,
5.2.444 To have proved most royal ; and for his passage ,
5.2.445 The soldier’s music and the rite of war
5.2.446 Speak loudly for him .
5.2.447 Take up the bodies . Such a sight as this
5.2.448 Becomes the field but here shows much amiss .
5.2.449 Go , bid the soldiers shoot .
They exit , marching , after the which , a peal of ordnance are shot off .